Flipping the Desert Island Discs format for Novacon still meant including some music, by way of equivalent to the Castaway’s choice of books. My first selection is the 1981 album ‘Time’ by the Electric Light Orchestra. And honestly the Birmingham connection is entirely fortuitous. I’ve been a fan of ELO and Jeff Lynne’s work for decades. Anyway, we couldn’t play the whole thing that Friday evening so I picked ‘Here is the News’ as the track epitomising this album’s appeal for me.
For those of you not familiar with the song, here’s the official video. Which does look as if it was made for a tenner in about half an hour one Friday afternoon. So, please, just listen to those lyrics and try not to be too distracted by the cutting edge 1980s technology, not to mention the hair and makeup.
The words are the thing for me. Because I listen to lyrics above all else. I always knew that, sort of, but in recent years long car journeys with just the Music Student Son has really driven that home for me. Whether we’ve been heading for a SF convention, a University open day, or latterly, trekking up and down the M1 to Huddersfield where he’s studying, we alternate choice of CDs. When whoever’s not driving is swapping the music over, we’ve exchanged a few thoughts on the other’s choice. My observations are always about the words – “did you see what they did there with those references?” While his responses are always about the intricacies (or not) of the sound – “but they used a standard drum track!” Or alternatively from me – “it was a good tune but the lyrics barely avoided rhyming June with Spoon” versus him “but didn’t you catch what they did with the bass line?” Er… no…
Which is one reason why I cannot listen to music while I’m writing. Certainly not music with lyrics. At worst, I get horribly distracted. At best, the words end up in whatever I’m writing. This is the reason there’s a brothel in one of my books called ‘The Rising Sun’.
And which explains why I love this album so much. The whole thing’s a story, and one that prompts as many questions as it offers answers. Is the narrator dreaming? Is this a real time travel experience? What do these songs have to say about how we live now, about the future, about humanity, about relationships? While offering everything from fast-paced rock to heart-breaking ballads. Where do writers get their ideas from? If you’re like me, it’s from things like this.
As a single track, ‘Here is the News’ has intriguing questions in just about every line. Why ‘good old’ rocket lag? What does a cure for that mean anyway? Someone left their life behind in a plastic bag? How does that happen? Someone’s escaped from Satellite Two? So what happens there that means everyone must now ‘look very carefully, it might be you’? The Justice Computer… let’s think about that one for a while… And so on and so forth. I reckon I could get back from this Desert Island with an anthology of stories based on this one song alone, never mind the entire album.