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Posted in creative writing culture and society Links to interesting stuff reflections and musings

Thinking about the lenses we use to view history

We went to the Earth Trust/Dig Ventures festival of discovery on Sunday. We listened to two talks by teams of young, enthusiastic archaeologists discussing the finds from digs around Wittenham Clumps. One was on everyday objects, and the other was on ancient animals. In between, we had a very nice lunch, strolled around the local landscape, and went to the pop-up museum where a small selection of the thousands of finds was on display.

I expect many of us have seen Roman tiles with cat and dog prints left when the clay was still wet. This is the first time I’ve seen a fox leave its mark.

Then there were the mystery objects, such as this. I always ask Husband what he thinks. After studying it for a few moments, he proposed a use that one of the archaeologists confirmed is their experts’ current best guess.

Apparently a feature of Bronze Age sites is ‘pots in pits’, and there’s much discussion about what deliberate deposits of selected items might mean. Rituals linked to ‘end of use’ are generally proposed, though it’s impossible to know whether these marked, for example, a death, the demolition of a dwelling, or moving away from an area. One such pit here is particularly interesting as the objects deposited are a well-used, smashed pot, broken loom weights and a 4 year old sheep. When swords and other weapons are deposited in water or pits, they are deliberately broken to put them beyond use. Is this a similar ritual involving objects associated with textile production? Sheep for meat were usually slaughtered by the end of their second year. Beyond that, they were primarily kept for wool. What does this tell us about spinning and weaving and those who did it? That these women and their skills were respected with such rituals? What does that tell us about these ancient people and their society? Maybe it wasn’t all mighty-thewed warlords defending helpless women and children?

Another speaker observed that ‘hillfort’ is increasingly considered a misnomer for enclosures ringed with ditches and banks, as modern archaeology increasingly indicates they weren’t built for defence, not primarily at least. People could retreat into them at need, but for most people, most of the time, these appear to be trading and gathering centres, possibly seats of power for tribal leaders. Where did the people come from to trade and meet? DNA work on burials on this site is still pending, but at least two skeletons have been interpreted by bone experts as likely of African heritage.

This got me thinking about where that term ‘hillfort’ had come from. Field archaeology pioneers from the 1850s onwards started surveying and excavating these landscapes. The British Empire was at war with someone or other through most decades of the 19th and first half of the 20th centuries. How much did that background noise of perpetual conflict influence these men to see such earthworks as military and defensive? What assumptions followed? You only build defences when there’s an enemy out there. Therefore anyone new must be an invader! But what if that initial assumption is wrong? The the whole framework collapses. Finds that have been interpreted to fit that world view should be reassessed. This is just one reason why I find current archaeology so fascinating.

Since one of my personal lenses for viewing history is its use in world-building for fantasy writers, it’s apt that the next creative writing article from my archive is on this very topic.
The Uses of History in Fantasy

Posted in culture and society Publishing & the Book Trade reflections and musings supporting the SFF community

Ego-Surfing for Self-Defence in 2024

Is it still called ego-surfing? That term was coined in the 1990s as more and more people got online, and would put their names into a search engine to see what came up. It soon became clear this was hazardous for authors. A few months after The Thief’s Gamble came out in 1999, I found two very negative reviews. According to one, the book proved I was a patriarchy-enabling betrayer of the sisterhood. The other reckoned it showed I was a ball-breaking man-hater. I was all set to respond, to explain, when a friend working in IT told me to take a breath, step away from my keyboard and think this through. I remain eternally grateful to him for explaining my chances of success were minimal, compared to the significant possibilities of things going badly for all the online world to see. As a more experienced writer told me soon after, ‘Arguing with a critic is like starting an arse-kicking contest with a porcupine. Even if you win, the cost to yourself won’t be worth it.’ The decades since have seen memorable catastrophes when authors have challenged reviews on Amazon and Goodreads.

So no, checking reviews and comments is not what I’m talking about. But another online saying in the 1990s was three things make a post. So here are three solid reasons for writers to stay vigilant over what’s being said about them online these days.

Generative AI has seen an explosion in misinformation. This year’s hobby among writers has been asking ChatGPT and similar for their biography. The inaccuracies that result can be hilarious, as very-far-from-intelligent software scours the Net for anyone with the same name and produces a mishmash of results. After that initial laughter though, this isn’t so funny. How can someone without any prior knowledge of the subject untangle the truth from the nonsense? How can they fact-check when search-engine results are increasingly poisoned by this rubbish?

This gets much worse when some inaccurate statement could have negative professional consequences. Tobias Buckell recently discovered he was being cited as an author praising AI for helping him finish writing a novel, in a lengthy and entirely made-up quote. He was justifiably furious. The excuse that the article was AI-generated so no one is to blame is ridiculous. A human decided to put that lie online – unless no one checked what was being posted, which just makes this worse.

There’s also been an upsurge in online impersonation, especially of literary agents, editors and other people working in publishing. Hopeful writers are being contacted with wonderful offers, and some will be too naive to know this is not how the book trade works. Generative-AI makes these scams more plausible and more common. Writers are being impersonated by scammers creating supposedly new stories in much-loved and long-ago completed series. They find themselves listed as authors of books they have never heard of on Amazon and other sites. These ‘books’ are AI-generated garbage, but how is a reader to know that before buying one and finding out that it’s trash? If the reader doesn’t know what’s happened, the danger of reputational damage for that writer is very real.

Not all of this misinformation can be blamed on generative-AI. I have been checking in on a particular Wikipedia page for over a month now, since I noticed a major rewrite that stripped away an individual’s positive achievements and inserted highly critical and inaccurate material. By which I mean paragraphs that no newspaper’s lawyer would let go to print as some statements would be legally actionable. The person making these edits was doing so under a pseudonym, while Wikipedia culture does not accept the subject of a page making changes themselves. (I have written before about issues with Wikipedia.)

I discussed this with several friends who are active on Wikipedia, who were naturally concerned. They undertook to take a look, and assured me that Wikipedia does have systems to deal with such situations. I have observed these systems in action, and I am glad to say that the page now offers fair and balanced content. But resolving this has taken quite a while, and there have been periods when that seriously inaccurate content remained visible. Two things follow from this. Firstly, if you are the subject of a Wikipedia page, check it from time to time. You need to know if inaccurate material has appeared before you can find help to get the facts straight. Secondly, if you are using someone’s page as a source, and something doesn’t seem right, do click on the Talk tab to look for any current disputes between Wikipedia editors.

In conclusion? All these things strengthen the arguments for an author maintaining and updating their own website, to ensure there is at least one source of accurate and up-to-date information about them online, which they control.

Posted in good stuff from other authors Guest Blogpost

Is knowing how many books are in a series a spoiler? Guest blog post from Tej Turner

Back in 2020, when Elsewhen Press were about to announce the forthcoming publication of Bloodsworn – the first instalment of my Avatars of Ruin series – I had a sudden stroke of inspiration whilst reviewing the press release they had prepared. I decided to email them with an idea that had been playing in the back of my mind for a while, as I realised that it was now or never.

See, in the original version of the press release they had referred to Bloodsworn as ‘Book 1 of the Avatars of Ruin’ followed by a word that I asked for them to redact and replace with a more ambiguous one; ‘series’.

Now that I have told you this I am guessing the first suspicion that has popped into many of your minds is that I was worried this series might befall the fate of others and birth more sequels than originally intended, but no. That wasn’t the reason. I am – mostly – a planner, and do have a good grasp on the overall arc this series will take. When I first submitted Bloodsworn to Elsewhen Press back in 2019 I told them precisely how many more there were to come, and it was something they considered when they committed to publishing it.

There are a few reasons for I decided to make this suggestion to them. Some of them are specific to the arc it takes, so I won’t – for the sake of spoilers – go into them here, but one of them is a more general point I would like to discuss.

For me, knowing how many books are in the series that you are reading can often feel like a bit of a spoiler, especially when it comes to genres such as epic fantasy, and its various cousins such as grimdark. For example; if you know that the book you are reading is the finale in a trilogy, quartet, pentalogy, etc, the reader will feel some form of reassurance that, no matter how high you up the stakes in that climatic battle, there is a good chance that something will happen to give this book the closure that they have been waiting for. Whether that be a hearty resolution, something bittersweet, or the death of your villain-protagonist and restoration of a bleak status quo, will likely depend on what kind of vibe the series has taken, of course. There are various ways that one can still surprise people with a twist at the end, but most books will have some kind of closure that fits its particular subgenre and for good reason. To not have this will often be a disservice to the narrative, its characters, and leave readers feeling cheated.

Elsewhen did accept my proposal, and the reaction so far has been quite mixed. This series has done fairly well for one published by an independent press. It does not automatically make it onto all the high-street stores nor have all the publicity that comes with one of the bigger houses, of course, but some good reviews and a bit of luck have drawn a bit more attention to this series than my previous urban fantasy duology that didn’t get as much attention than I would have liked. I am certainly more on the map now but far from being a household name, and I am not the kind of author where this experiment has drawn enough attention to be scrutinised much online. I have noticed – on a few occasions – people referring to my series as a ‘trilogy’, but that is an assumption they have made based on its genre. I have not gone out of my way to correct people when this happens – as to confirm or deny either way would be revealing – but neither have I told any lies. Some reviewers (and even, on a few occasions, readers) have reached out to me and asked for clarification, and, whenever this has happened, I have always been honest and told them that this is something that myself and Elsewhen Press are choosing not to disclose for now. I haven’t had any negative reactions to this so far. Some have commented that they find this approach intriguing.

I feel that it will be in the coming months that I will finally find out how successful this little experiment has been. The third instalment – Blood War – is to be released on the 2nd of February. Its name and the blurb do hint at a climactic battle, and I certainly don’t think it will disappoint in that regard. But whether this battle ends up being the closure to a trilogy or the instigator for more volumes to come is something my readers are yet to discover. The only thing that I am certain about is that many people have made assumptions either way so there are going to be at least some who will be surprised, and it will be interesting to see what their reactions will be.

Tej Turner is an SFF author and travel-blogger. His debut novel The Janus Cycle was published by Elsewhen Press in 2015 and its sequel Dinnusos Rises was released in 2017. Both are hard to classify within typical genres but were contemporary and semi-biographical with elements of surrealism. He has since branched off into writing epic fantasy and has an ongoing series called the Avatars of Ruin. The first instalment – Bloodsworn – was released in 2021, and its sequel Blood Legacy in 2022. The third – Blood War –is due to be published in early 2024.

He does not have any particular place he would say he is ‘from’, as his family moved between various parts of England during his childhood. He eventually settled in Wales, where he studied Creative Writing and Film at Trinity College in Carmarthen, followed by a master’s degree at The University of Wales Lampeter.

Since then, Tej has mostly resided in Cardiff, where he works as a chef by day and writes by moonlight. His childhood on the move seems to have rubbed off on him because when he is not in Cardiff, it is usually because he has strapped on a backpack and flown off to another part of the world to go on an adventure.

He has so far clocked two years in Asia and two years in South America, and when he travels he takes a particular interest in historic sites, jungles, wildlife, native cultures, and mountains. He also spent some time volunteering at the Merazonia Wildlife Rehabilitation Centre in Ecuador.

Firsthand accounts of Tej’s adventures abroad can be found on his travel blog.

For links to his website and travel blog, social media etc – http://linktr.ee/tejturner

Posted in good stuff from other authors Links to interesting stuff News supporting the SFF community The Green Man's Quarry

Want something good to read in SF&F? Check out award nominations.

It’s always worth taking a look at the novels long- and shortlisted for genre awards – even if you’re not a member of organisations like the BSFA, the BFS, or SFWA. Likewise, it doesn’t matter if you’re eligible or not to vote for awards linked to conventions such as the Hugos. These are books that have appealed to a solid number of well-read SF&F fans. The juries who pick the winners for accolades such as the Arthur C Clarke Award and the World Fantasy Awards are fans first and foremost, and assess all submissions diligently. Not every book is for every reader, but there’s every chance you’ll find something to your particular taste that you haven’t come across before.

Then there are the short stories, the novellas, the non-fiction and related works. The odds are good that these lists will offer you unfamiliar names whose writing you’ll want to check out, both of authors currently published and of authors being written about. There’ll be discussions about aspects of the genre which you may very well find of interest. When something on any of these lists comes from a small press you haven’t previously encountered, it’s definitely worth seeing what else they’re publishing. And don’t forget the art awards, which invariably illustrate the breadth and depth of skill enhancing SF&F stories these days.

Why am I mentioning this now? Because the BSFA long lists have just been announced, and yes, I have an interest to declare because The Green Man’s Quarry is among the nominations for best novel. Will it be shortlisted? Who knows? At the moment, knowing enough readers enjoyed Dan Mackmain’s latest to nominate the book gives me a nice, warm feeling on this chilly wintry day.

If you are eligible to vote, but haven’t read this latest in the series yet, this is great timing, as the ebook is currently a Kindle UK limited time deal for the bargain price of 99p – and so are a good few other BSFA longlisted titles. Amazon have a wide-ranging SF&Fantasy offer on at the moment. That’s well worth checking out whether or not you’re interested in voting for any awards at all.

Happy reading!

Posted in forthcoming fiction News public appearances reflections and musings

Let’s get this new year started!

The first exciting news of 2024 is Amazon Kindle have The Cleaving ebook on offer from 15th – 21st January. Check your local price.

This Arthurian retelling follows the tangled stories of four women: Nimue, Ygraine, Morgana, and Guinevere. These women fight to control their own destinies amid the wars and rivalries that will determine the destiny of Britain. The legendary epics of King Arthur and Camelot don’t tell the whole story. The chroniclers say Arthur’s mother Ygraine married the man that killed her husband. They say that Arthur’s half-sister Morgana turned to dark magic to defy him and Merlin. They say that the enchantress Nimue challenged Merlin and used her magic to outwit him. And that Arthur’s marriage to Guinevere ended in adultery, rebellion and bloodshed. Why did these women chose such dangerous paths?

As warfare and rivalries constantly challenge the king, Arthur and Merlin believe these women are destined to serve Camelot by doing as they are told. But men forget that women talk. Ygraine, Nimue, Morgana and Guinevere become friends and allies as decisions that shape their lives are taken out of their hands. This is their untold story. Now these women have a voice.

In local news, this household and assorted guests had a very enjoyable festive break. Now we’re adjusting to life since my husband retired on 31st December. So far, this January has seen a major and long-overdue sorting out of cupboards, drawers and wardrobes which has proved remarkably stress-free and very constructive, so that’s a big tick in the plus column, and a good few other things have been ticked off the Domestic To Do List as well. When the weather improves, we intend to make good use of his free time to travel around the country and to catch up with visiting friends we haven’t seen nearly enough of over this past couple of years.

In between sessions of shared household chores, I’ve been reading random books on folklore and a few other things. That’s prompted mulling over ideas for the next Green Man book in a relaxed, unfocused fashion as I sort and tidy. I now have several pages of notes outlining what promises to be an exciting story to write and to read later in the year.

Other projects on the Work To Do List include the Ampyrium shared-world project I’m part of alongside other ZNB authors, and the collection of my short stories to be published by NewCon Press in their Polestars series. There’s another potentially very interesting possibility under discussion – more to come on that in due course, hopefully. Then there’s Eastercon, WorldCon in Glasgow, and Fantasycon to come. I will also be continuing my work on the Society of Authors’ Management Committee, in the interests of all writers.

So we’re set fair for 2024. We are also keeping a weather eye on those folk beset by the many storms, real and metaphorical, that are swirling around so many people these days, and helping out where we can.

Posted in reflections and musings retrospective

A few thoughts for the last blogpost of 2023

I’ve had a good year. Not an amazing or an astonishing one. I’ve not won any awards or had a book optioned for film or TV or had anything else happen to make the SF&F world go wow! And you know, I’m absolutely fine with that, especially after the past few years that have been so hard all round.

I’ve had two books published in 2023: The Cleaving, and The Green Man’s Quarry. Both have won enthusiastic reviews from readers who’ve understood and appreciated what I was intending to do with those very different stories. I’ve done interviews about both novels, including a whole lot more video than I’ve been used to doing. I’ve been to enjoyable and interesting conventions where fascinating conversations with readers and other writers started with those books and spun off into any number of absorbing topics. Sincerest thanks and all best wishes for the fans and event organisers who devote so much time and dedicated effort to making SF&F fandom the best possible place it can be.

Those two novels bring my published total to 25 books in 25 years, since January 1999 saw the publication of my debut novel, The Thief’s Gamble. This is extremely pleasing. Looking back to that very different world as far as the book trade goes really makes me appreciate the friends I’ve made along the way, and the friends who were there at the start and who are still supporting me. It’s been two and a half decades of constant change, with some major ups and downs, and there’s no way I would still be writing if I was trying to do this on my own. Once again, sincerest thanks and best wishes to all.

I’ve revised a short story that will be published in a great anthology next year, and I’ve done the preliminary work on a shared world project that will be ongoing in 2024. Another very interesting prospect is on the horizon and I’ve spent the last month or so working on that. Plus I’m currently musing on various ideas for the next Green Man book. This is all very satisfactory, as I take a break from online spaces as well as from work until the New Year.

As I say, things are good here, and good shouldn’t be underrated. I am content to live in this moment, just for now. That doesn’t mean I don’t see things are not good for far too many people, for far too many reasons to count. Being in a good place isn’t something I take for granted. So I do what I can, where I can, to help out those who aren’t. Let’s hope for better days ahead for all.

And now I shall go and make some tea, and sit down to continue my first reread of Susan Cooper’s The Dark is Rising sequence in literally decades. I never owned these books as a kid, but read them from various libraries, along with many others. I have long promised myself that I would buy my own set one day. Last week, I decided that this was that day.

Posted in creative writing News

A round up of recent guest posts elsewhere

Since you may have missed these pieces I’ve written recently, and you might find them interesting reading.

Myth-making has never stopped and that can be useful – Guest Post for Sarah Ash

Why you must be your own, first, and most ruthless editor – Guest Post for the British Fantasy Society

Looking at the male gaze in the mythic foundations of fantasy fiction from a 21st century perspective. Guest Post for The Fantasy Hive.

Tackling The Guinevere Problem in The Cleaving – Guest Post for Sarah Ash

In other news? Life has been extremely busy, personally, professionally and socially, through October and November. Now the pace has slowed somewhat, I can start thinking about the upcoming holiday season and hopefully get that sorted out at a leisurely pace. We’re also looking ahead to changes in the life-work balance hereabouts as my husband officially retires on 31st December. Next year promises to be interesting in all sorts of ways.

Posted in New Releases News public appearances Short fiction & anthologies The Green Man's Quarry

An Autumn Update

This month’s a busy one. On 15th October, I’ll be running an online writers’ workshop for the British Fantasy Society, looking at revising your own work. I’ll share examples of ‘before’ and ‘after’ drafts of a piece I wrote some years ago, and discuss the changes I made and why, to highlight the underlying principles of being your own editor. Full details here on the BFS website.

As I imagine you already know, The Green Man’s Quarry will be published on 21st October. You can pre-order paper editions from the Wizard’s Tower Press bookstore (UK only) which includes the ebook free.

You can pre-order ebook editions from your local Amazon, Barnes & Noble Nook in the US and Kobo. Paperback and hardback editions can also now be pre-ordered through Amazon and in the US from Barnes & Noble. Bookshops, chain and independent, should be able to order through their usual wholesalers.

We will be launching the book on the Friday evening before Bristolcon, 20th October, at the Hilton Doubletree hotel, Bristol. By the way, Wizard’s Tower Press are starting their own newsletter as social media fractures. You can sign up here for all their updates.

The first enthusiastic reviews are appearing on Goodreads – spoiler-free, which I very much appreciate.

Alas, I cannot stay to take part in Bristolcon on the Saturday. The diary gremlins have got me good and proper this year. I’ll be travelling to Sheffield to join dear friends as they celebrate a notable anniversary with family and friends, theirs and mine.

Looking further forward, I’ve selected the short stories for my Polestars collection, coming from NewCon Press. Choosing those and writing a short note for each one has been fascinating. More news on that in due course on the NewCon Press website.

Readers may recall the anthology Fight Like a Girl, from Kristell Ink. I’m delighted to say a second volume is on its way. Following extremely helpful feedback from the editors, I’ve revised my story and I am very pleased with it.

I’m currently working on my story for Ampyrium, the shared world project for the American small press ZNB, now that this year’s Kickstarter has funded. The open call for submissions for their other two 2024 anthologies, ‘Familiars’ and ‘Last-ditch’ has started and will run until December 31st. Remember, ZNB are committed to giving debut writers opportunities.

Looking back, long-standing pals may recall the days when I wrote a review column for Albedo One, Ireland’s foremost SFFH magazine, founded in 1993. As with so many genre publications, this has been a labour of love, and as happens for many reasons, the project has reached the end of this particular journey. Issue 50 is the final, valedictory, fiction edition, and that’s an honourable number for such a conclusion. My story is called ‘The End of the Road’, and you can buy the magazine through Amazon here.

Social media update: I’m using Twitter-as-was less and less as it becomes more and more pointless, and I look forward to the day when I can bin it, frankly. You can find me on Facebook at facebook.com/jemck, on Bluesky @julietemckenna.bsky.social, and on Mastodon @JulietEMcKenna@wandering.shop.

And don’t forget, you can sign up for my newsletter here.

Posted in forthcoming fiction New Releases News public appearances The Green Man's Quarry

The Green Man’s Quarry – coming soon!

The Green Man’s Quarry will be published by Wizard’s Tower Press on 21st October 2023, following our launch on Friday evening 20th October at Bristolcon. Artwork once more by the supremely talented Ben Baldwin.

So what’s this story about? Here’s the cover copy…

“The Green Man sends Daniel Mackmain to stop threats from folklore making trouble in the everyday world. Now a naiad and dryad want him to deal with the big cat they’ve seen prowling in their woods. Reports like this turn up in the tabloid press from time to time, though no one has ever caught such a cat, or even found evidence of a large carnivore’s kills.

Can Dan discover the truth behind this modern myth before social media turns his hunt into an internet sensation? He knows that not all animals are what they seem. A huge cat which can appear and disappear without a trace must be more than meets the eye. Dan knows one thing for certain. He’s on the trail of a killer.’

Pre-orders are open. Here are the links so for. For more buy links as soon as they become available, check the Wizard’s Tower Press website.

You can pre-order ebook editions from:
Amazon US
Amazon UK
Amazon AU
Amazon DE
Barnes & Noble (Nook) – USA only
Kobo

ISBNs
Paperback: 978-1-913892-64-7
Hardcover: 978-1-913892-65-4
EPUB: 978-1-913892-62-3
MOBI: 978-1-913892-63-0

Feel free to spread the word!

Cover art – Ben Baldwin

Posted in News public appearances

Fantasycon 2023 – what I’ll be doing this weekend

I’ll be heading off to Fantasycon in Birmingham (UK) shortly. If you’re there, feel free to say hello, even if we haven’t met before. I’ll have some copies of of the Green Man books so far with me. If you want to buy one or more of those, ping me on social media or catch me after a panel. I also have some sets of the Lescari and Hadrumal trilogies to give away to interested readers.

My programme is as follows:

Saturday 9.30 am – readings. I’ll have the title and draft cover for the next Green Man book to share, along with a short reading just to give those who can make it a taste… Plus a short reading from The Cleaving to give a flavour of the different approach I’m taking with this Arthurian retelling.

Saturday 11.30 am – Fantasy in Contemporary Times. This promises to be an excellent discussion.

Signing – straight after this panel, I’ll be heading for the Angry Robot table in the Dealers Room. They’ll have copies of The Cleaving for sale, and I’m happy to sign other books as well.

Saturday 2pm – The Muse. We’ll be exploring ways to sustain your creativity as a writer through a writing career.

It’s pretty much my ideal convention schedule. A chance to share new work, a couple of really interesting panels, and a good few programme items where I’ll be in the audience. Plus plenty of time for chatting about all and sundry to established pals and newly made friends.

Artwork by Chris Panatier