Bristolcon – my schedule and your chance to hold ‘Shadow Histories’ in your hand.

Bristolcon is a splendid one-day, regional SF&F convention in, unsuprisingly, Bristol. This year it’s on Saturday October 29th, at the Doubletree Hotel, which is convenient for travel by car or by train – within easy walking distance of Bristol Temple Meads station. Membership is £25 in advance or £30 on the door.

This year’s Guests of Honour are the artist Fangorn, and authors Ken MacLeod and Sarah Pinborough.

The full programme can be found here – click on through. Always bearing in mind that this is a month away and such plans are potentially subject to change.

My panels look very promising.

17.00 – Running the World / Cleaning the Toilets – One person’s utopia is another’s dystopia. How can we build believable and effective governments in SF&F, and how can we prevent our utopias becoming dystopias (and should we try)? And while we’re focussed on the action at the top, who’s cleaning the toilets?

Ken MacLeod (M), John Baverstock, Ian Millsted, Juliet E McKenna, Jaine Fenn

18.00 – After the Heroes Have Gone – We all enjoy a big battle, especially on the big screen, but what happens afterwards? Who’s picking up the pieces of New York after the Avengers have smashed it up, who’s living in the wreckage of a Godzilla-stomped Tokyo and what are the Alderaanians who were off planet at the time supposed to do next? Wars have knock-on effects that aren’t always explored – we ask our panel to think about the fate of the ordinary folk, after the heroes have gone.:
Danie Ware (M), Joel Cornah, Juliet E McKenna, Chris Baker, R B Watkinson

And most exciting of all,and with thanks as ever to the wonderful Wizard’s Tower Press, we’ll be launching Shadow Histories of the River Kingdom that weekend! since this will be both an ebook and a print-on-demand publication, there’ll be copies on sale which I’ll naturally be happy to sign 🙂

Artwork & layout by Ben Baldwin

Artwork & layout by Ben Baldwin

Got a story about Robots, Water or Death? Here’s your chance!

Excellent news – the ZNB Kickstarter to fund these three new anthologies has reached its funding target! Here’s what our lovely backers will be reading –

SUBMERGED is to feature science fiction or fantasy stories that are set underwater at some point. It does not have to be set completely underwater, but at some point the events of the story must lead in a natural way to an underwater adventure. There should be a significant reason for why the action must take place underwater; this should NOT be a story where it easily be rewritten on land and maintain its cohesion. We are attempting to fill half of the anthology with science fiction stories, and half with fantasy stories. Stories featuring more interesting settings underwater and twists on the typical underwater themes will receive more attention than those that use standard underwater tropes. In other words, we don’t want to see 100 stories dealing with Atlantis. If we do, it’s likely that only one, at most, would be selected for the anthology. So be creative, choose something different, and use it in an unusual and unexpected way. We are looking for a range of tones, from humorous all the way up to dark.

ALL HAIL OUR ROBOT CONQUERORS! is to feature stories where the robots of the story somehow harken back to the 50s/60s style of robots. The story can be set in the far future, but at some point there should be a significant nod toward the robots from that era—either a significantly advanced robot that is simply housed in a 50s/60s style shell, or a robot exactly like those from the 50s/60s but used in an interesting and believable way in the story. Stories featuring more interesting takes on the 50s/60s style robots, and twists on how they are integrated into the story, will receive more attention than those with more generalized robots. So be creative and use your robot in an unusual and unexpected way. We are looking for a range of tones, from humorous all the way up to dark.

THE DEATH OF ALL THINGS is to feature stories where Death is a character in the story. The version of Death used should be unique, so consider all different types of versions of Death seen throughout history and in different cultures. Stories featuring more interesting takes on Death, and twists on how Death is integrated into the story, will receive more attention than those with more standard depictions of Death. So be creative and use Death in an unusual and unexpected way. We are looking for a range of tones, from humorous all the way up to dark.

Now, as I’ve mentioned before, one reason why I enjoy being part of these projects is each ZNB anthology offers open submission slots. This really is a great chance for aspiring writers to be involved in a thoroughly professional publication.

So while I get on with firming up my ideas for a ‘Death of All Things’ story, have you got a tale ready to be told, or even just the see of an idea for one or more of these themes? Get thinking and writing!

Always remembering to read the Submission Guidelines in full – click here.

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Mental health in fantasy fiction – where to draw the lines and how to do the colouring in?

A #HoldOnToTheLight post

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The best fantasy is always rooted in reality and often it’s exploring harsh reality. A hundred years ago, a young officer invalided home from World War One began writing the poems and myths that would lead on to The Lord of the Rings. Tolkien wrote from his own experiences amid predominately male colleagues, struggling against brutal forces threatening to end the way of life that he cherished. His work reflects that – among other things. In the decades that have followed, the best fantasy fiction has continued such exploration and has expanded to encompass so much more.

Successive writers have considered the challenges faced by those marginalised through prejudice towards gender or race, and by those struggling with physical infirmity without sympathy or support – alongside eternal battles between Dark and Light and other classic themes. Where these stories are most readable and most memorable, their authors have avoided the pitfalls of worthy moralizing by making these challenges intrinsic to the narrative they’re creating. Nowadays increasing numbers of diverse voices across SF&F draw on their personal experience to give such stories ever more realistic depth and complexity.

So what about mental health? Because that’s part of our reality. Not just for writers by the way, or artists or musicians or anyone else creative. This idea that we must ‘suffer for our art’ or that there’s some mystical inspiration to be found in depression or anything else is one of the biggest myths out there. Along with all the authors I know, I’m at my most creative and inspired when I’m relaxed and content with my life. Just like everyone else.

Challenges to everybody’s peace of mind are constant and recurrent and surely that’s going to be same for fully rounded characters in fantasy fiction? How does a writer tackle this? By drawing on our own experience? This is where it gets tricky and not just because there’s still such stigma attached to admitting to depression or some other mental health condition, not least for fear that will be wholly and only how people will define you ever afterwards.

I’ve had two significant episodes of clinical depression in my life, requiring medication, therapy and support from qualified professionals. Thankfully that’s decades behind me now but from a writerly point of view, drawing on that experience would be problematic. Not for fear of giving away too much about myself, but because I clearly remember how being depressed is so horribly tedious. It’s dull, it’s monotonous, it’s never-ending (or so it seems at the time). It’s such wretchedly hard work to just get through a day and the only reward is another unutterably wearisome day exactly like it. All those metaphors about being weighed down with burdens, about struggling through a morass? Bunyan’s Slough of Despond? They’re classics because they’re so true.

None of which will make for fun reading, certainly in a major point of view character. Spending an entire morning summoning up the mental fortitude to leave the house to buy a pint of milk isn’t really the stuff of high heroics and thrilling adventure. So how do we square this circle of accurately reflecting life in all its aspects, good and bad, without writing a dismal story that sinks under waves of gloom?

Well, there’s including a significant character in the overall ensemble who’s got through depression and come out the other side. I have travelled that road twice after all, thanks to the help I received. That enabled me to identify the causes of my depression, both those specific to, and different for, each episode and the more deep-rooted, underlying issues common to both. More than that, I learned to spot early warning signs; to realise when I might be going down those same paths again. The mental wellness toolkit I’ve assembled as a result has enabled me to steer clear of the worst ever since.

That’s all well and good from a writing point of view and could potentially make for an interesting character arc, as long as it was unobtrusively integrated into the story. Done badly, it could be clumsy tokenism. It would also be horribly easy for writing that character to tip over into seemingly saying ‘See? If you can just pull yourself together, everything will be fine!’ Hearing that advice, however honestly well-meant, is one of the few things that can goad a depressed person to exhausted fury. That’s just not how it works. I remember that vividly too.

So what do we do, as writers? Give up, because it’s too difficult? But isn’t being a writer all about tackling the difficult stuff through fiction, in order to make sense of real life’s challenges? And representation matters, as we see proved time and time again, as SF&F moves however slowly and imperfectly towards a more genuine reflection of modern life, with all our variations of gender, race and physical capability. Don’t those facing the unseen challenges of mental health issues deserve to see their reality reflected too?

So let’s take a second look at those ways in which SF&F has developed beyond the “great deeds of great white men” point of view. Let’s look at successful examples of representation in fiction for women, for people of colour and so many more. These are invariably the characters for whom those issues are merely one facet of their lives and personalities. Yes, these things inform their choices, their relationships and thus, influence their role in a story, but these characters are never solely or wholly defined by that one overarching trait. Just like, y’know, real people.

So let’s write characters experiencing ups and downs in their mental health as honestly as we can. Let’s have them alongside people with chronic physical conditions, or recurrently disastrous love-lives, or dealing with something else entirely, not as tick-box tokens but as part of the gamut of believable people playing their part in our stories. Let’s write these characters with friends and support that can help them with their struggles, because that’s how things happen in real life. Let’s not sugar-coat their difficulties or underplay those challenges, because that’s real life as well. Progress towards mental wellness is so often very hard-won, and with setbacks along the way. Let’s never forget to do our due diligence and research, where we’re writing outside our own experience.

Then just maybe someone trying to understand the plight of a friend with depression will gain some helpful understanding. Maybe someone in the midst of those throes will see a glimmer of unforeseen light in that particular reflection of the darkness they know so well.

Is this the answer? Well, it’s one answer. I’m working my way through such questions and this is where I’ve got to thus far. No, it’s not easy to find constructive ways forward but I intend to keep trying, as well staying open to other people’s comments and suggestions. Because I know that’s what will make me a better writer.

About the campaign:

#HoldOnToTheLight is a blog campaign encompassing blog posts by fantasy and science fiction authors around the world in an effort to raise awareness around treatment for depression, suicide prevention, domestic violence intervention, PTSD initiatives, bullying prevention and other mental health-related issues. We believe fandom should be supportive, welcoming and inclusive, in the long tradition of fandom taking care of its own. We encourage readers and fans to seek the help they or their loved ones need without shame or embarrassment.

Please consider donating to or volunteering for organizations dedicated to treatment and prevention such as: American Foundation for Suicide Prevention, Hope for the Warriors (PTSD), National Alliance on Mental Illness (NAMI), Canadian Mental Health Association, MIND (UK), SANE (UK), BeyondBlue (Australia), To Write Love On Her Arms (TWLOHA) and the National Suicide Prevention Hotline.

To find out more about #HoldOnToTheLight, find a list of participating authors and blog posts, or reach a media contact, go to http://www.HoldOnToTheLight.com and join us on Facebook https://www.facebook.com/WeHoldOnToTheLight

Shadow Histories of the River Kingdom – how about this for a cover?

Take a glance at the new Aldabreshin Compass covers and you’ll see why Ben Baldwin was the artist I wanted for this new book’s cover. Not because I wanted something just like those, far from it. Because I was confident that he could find the best way to give these stories and this entirely new fantasy setting their own distinctive visual character. If you’re not already aware of Ben’s versatility as an artist, do make time go and browse his website.

It really is a fascinating process for me as someone who’s always been very focused on words; handing over my writing to someone whose imagination and skills work in a completely different creative area. Trying to explain the sort of thing that I’m after, when I cannot actually visualise it myself, answering an artist’s questions as best I can – without being distracted by wanting to ask ‘Why choose that particular episode or character to illustrate?’.

Then there’s seeing the draft sketches and having discussions about detail, which invariably sees me hunting for the photos and other visual references I’ve used in the writing. Finally there’s the thrill of getting something that’s both utterly surprising that also makes me nod and think, ‘yes, that’s it.’

Not that that’s the end of the process. Ben’s done all the cover layout and other design work here. And that’s not the end of it either. You remember I said I use visual references as I write? Pictures so often stir my imagination. I’m already seeing prompts for new stories in this one…

So here it is for you to admire. You’ll get your chance to read all these stories and to discover exactly what inspired Ben soon!

Artwork & layout by Ben Baldwin

Artwork & layout by Ben Baldwin

Awards News – The British Fantasy Society and the David Gemmell Awards for Fantasy

This weekend saw assorted awards presented here in the UK, as part of Fantasycon by the Sea, in Scarborough.

The David Gemmell Awards for Fantasy –

RAVENHEART AWARD (Best cover art)
Jason Chan for The Liar’s Key by Mark Lawrence

MORNINGSTAR AWARD (Best debut)
The Vagrant by Peter Newman

LEGEND AWARD (Best novel)
The Liar’s Key by Mark Lawrence

The British Fantasy Society Awards –

Best anthology: The Doll Collection, ed. Ellen Datlow (Tor Books)

Best artist: Julie Dillon

Best collection: Ghost Summer: Stories, Tananarive Due (Prime Books)

Best comic/graphic novel: Bitch Planet, Kelly Sue DeConnick, Valentine De Landro, Robert Wilson IV and Cris Peter (Image Comics) (#2–5)

Best fantasy novel (the Robert Holdstock Award): Uprooted, Naomi Novik (Macmillan)

Best film/television production: Jonathan Strange & Mr Norrell, Peter Harness (BBC One)

Best horror novel (the August Derleth Award): Rawblood, Catriona Ward (Weidenfeld & Nicolson)

Best independent press: Angry Robot (Marc Gascoigne)

Best magazine/periodical: Beneath Ceaseless Skies, ed. Scott H. Andrews (Firkin Press)

Best newcomer (the Sydney J. Bounds Award): Zen Cho, for Sorcerer to the Crown (Macmillan)

Best non-fiction: Letters to Tiptree, ed. Alexandra Pierce and Alisa Krasnostein (Twelfth Planet Press)

Best novella: The Pauper Prince and the Eucalyptus Jinn, Usman T. Malik (Tor.com)

Best short fiction: Fabulous Beasts, Priya Sharma (Tor.com)

The Special Award (the Karl Edward Wagner Award): The FantasyCon redshirts, past and present

Something for everyone there, I’d say!

And apropos Zen Cho’s win for the excellent ‘Sorcerer to the Crown’, you can find my review of it here

You can find her guest post reflecting on life as a debut novelist here.

So epublishing’s great for short stories – but how exactly do you do an anthology…?

The advent of ebooks has made all sorts of differences to the publishing landscape. The resurgence of shorter form fiction is merely one example. Now we’re seeing standalone stories about our favourite characters. We’re seeing writers gathering up short stories they’ve written for widely scattered publications and issuing them as collections (like my River Kingdom stories). We’re seeing authors getting together to write stories around a common theme – with some uncommonly good results, as seen in ‘Alien Artifacts’. Readers can now enjoy all these different approaches via their phones and tablets, as they travel to and from work and/or in other bits and pieces of downtime which don’t necessarily suit the next chapter of a novel.

But as with so much in epublishing, just throwing something together and throwing it out there isn’t going to win success. There’s just as much hard work involved, requiring the application of specific skills, involved in making an anthology which people will read, enjoy and recommend, as there is in epublishing a novel. One key difference is – there’s all manner of useful advice out there on how to write a good book. How to put together a decent anthology? Not so much.

Realising this has thankfully prompted Joshua Palmatier to embark on a detailed and illuminating series of posts, drawn from his own experience editing anthologies first for DAW and more recently for ZNBLLC. If you’re thinking of doing any sort of collection, this is essential reading. Even if you’re not, I’ll bet you’ll learn something new and useful.

And since we’re here, let’s check on the latest ZNB Kickstarter – for three intriguing anthologies so far. At the time of writing? $16,899 pledged of the $20,000 goal with 8 days to go.

Close enough to be thrilling. Far enough away to be challenging. I really do want to see these anthologies funded, so if you haven’t already checked them out, do go and take a look!

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So how’s ‘The Death of All Things’ coming along?

Let’s have a quick look at the new Kickstarter from ZNB. Okay, doing nicely so far but a fair way to go before the finish line. Do take a look because these anthologies promise a great choice of excellent reading – as well as the opportunity for new writers to submit their work to one or more of three thoroughly professional projects. And there are all sorts of bonus offers and incentives for backers.

What’s my incentive? I want to write a story for the ‘Death’ anthology. How could I not, with my lifelong fascination with myth and legend? It’s one of the universals, the book-end to the origin stories which tell us so much about a culture and its world view. Some belief systems have more than one aspect of Death personified. Some are benign, some are neutral while others are malicious. Some are male, some are female, some are animal. Some manifest with multiple aspects.

What about the various guides and guardians of the newly dead? Sometimes you’ll get some warning – is that a good thing or not so much? Sometimes who you meet depends on how you died. Got a couple of coins in your pocket for the Ferryman after breathing your last in bed? Or are you hoping that ‘the Kindly Ones’ will avenge your untimely slaying down some dark alley?

What about all the stories of those who thought they could cheat or mock Death and get away with it? That’s merely one aspect of encounters with Death which persists in popular fantasy fiction; in the Discworld most of all but cropping up here and there in TV series as varied as Supernatural and Reaper.

How could I not want to tackle the challenge of finding some new facet of all this to explore, in ‘The Death of All Things’?

Just as my fellow authors are keen to dive into the depths of ‘Submerged’ or get to grips with the nuts and bolts of ‘All Hail Our Robot Conquerors’.

Back the Kickstarter and help make all this happen 🙂

Good things on the Internet – SFF Writers blog for mental wellness #HoldOnToTheLight

The best writing reflects real life and day to day challenges to mental health are a reality for everyone, to a greater or lesser extent. Through September and October dozens of authors will be blogging about mental wellness, mental illness, depression, suicide prevention, domestic violence intervention, PTSD treatment and related issues.

Gosh, that sounds like a whole load of fun… really?

Don’t be fooled. This isn’t some worthy gloom-fest. Look at that hashtag #HoldOnToTheLight. This initiative is about illumination, about exploration, about using the power of the Internet for something positive.

Few things are as isolating as the struggle for mental health. This campaign is already highlighting that whatever your particular challenge may be, you are not alone. If you’re desperate to help a burdened friend but don’t know what to do for the best, see what you can learn from the experiences of those who’ve already been there and done that, from both sides of the issue.

So check out that hashtag on Twitter. Keep your eyes open on Facebook and other social media. I’ll be writing my own post towards the end of this month.

Meantime, here’s more from Gail Z Martin about the project.

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Holiday reflections (and eagles)

We’ve recently spent a week in the Ardennes, Belgium. Specifically, in a miniscule village about 8 miles outside Bastogne. We rented a ground floor apartment in a barn conversion with thick stone walls, tiled floors and those continental shutters that the sons still insist on calling ‘blast doors’ after first encountering them at the age of ten or so, when they were really getting into the thrills of SF. So even with outdoor temperatures in the high twenties centigrade, that was a wonderfully cool place to relax, especially after a week spent working in the Netherlands in 35C heat.

Why Bastogne? Well, both Husband and I are interested in history and this area is famous as the arena for the World War Two ‘Battle of the Bulge’. We have a particular interest in this as my brother in law is a historical re-enactor with a group honouring the 101st Airborne, The Screaming Eagles, who were besieged in Bastogne by the German counter-attack of December 1944. When the Germans invited them to surrender, the U.S. commanding officer, General McAuliffe sent back the simple reply ‘Nuts’. This apparently baffled the Germans comprehensively.

If this is all new to you, I can seriously recommend the TV series ‘Band of Brothers’ for an overview of post D-Day WWII. If you’re already interested in such things, we visited and can very much recommend the Bastogne War Museum at the Mardasson Memorial, the 101st Airborne Museum in Bastogne itself and also the Bastogne Barracks, still a Belgian Army base where the soldiers offer guided tours of what were the U.S. HQ buildings, now with historical displays, along with one of the finest collections of World War Two military vehicles we’ve seen, including some real rarities.

If you’re not interested in such things? If you consider all this to be ‘old, unhappy, far-off things and battles long ago,’? I’d still recommend a visit to the area as it offers wonderful opportunities for outdoor pursuits of all kinds; hiking, cycling etc, through a beautiful region. While you’re there, you might like visit one of those museums and I think you will find more contemporary relevance than you might imagine. Exploring the rise of fascist nationalism in the 1930s, displays used contemporary documents and sources to highlight the failure of the political establishment as parties in all countries became more interested in internal back-biting and rivalries than tackling the very real, severe economic hardships and social inequalities which ordinary people faced. The demagogues – to the extreme left and the extreme right – offered simple-sounding solutions. They promised to sort everything out, they pointed the finger at easy scapegoats – and no one countered their deceptive narrative.

In the era of Trump and Brexit, that should give us all pause for thought. From the UK perspective in particular, I was struck yet again by how different the European experience of World War Two was from the British one. These museums make plain the impact of the war on the civilian population. There were the posters detailing requirements for the compulsory registration of Jews. Turn up on the appointed day and give all the details of your family, your parents, your grandparents, everyone’s dates of birth, addresses etc. – or else. Sabotage and any other resistance activity was strictly forbidden – warning posters specifically included such things as turning up late for work, or not doing your job with sufficient enthusiasm…

I recall my grandmother talking about getting twin babies and a dog down to the air raid shelter night after night on England’s south coast. They were in very real danger, as were all my relatives. In Bastogne I saw a video of a woman of much the same age, recalling spending two nights outdoors hiding in a wood in freezing temperatures with her baby. Driven back into the town by hunger and desperation, she was caught in a bombardment and both were injured. Her baby died of his wounds two days later. There are people suffering the same today. The 101st Airborne Museum has an audio-visual presentation in one of the building’s cellars. It gives you something of the experience of the townsfolk sheltering in those very cellars as the war raged overhead. Sitting there, with my ears ringing, dazzled by the flashes of light in the darkness and feeling the floor shake beneath my feet, I was forcefully struck by the thought, ‘This must be what life is like in Syria now’.

It’s not just the museums. I’m used to English village war memorials listing tragic losses through 1914-18 and 1939-45. I wince when I see the same surnames repeated, as families lost successive generations of fathers, sons, brothers, husbands, uncles. In Europe though, as I saw time and again on this trip, these memorials also have lists of ‘civilians’, ‘resistants’ or simply ‘shot by the Germans’. In some cases those outnumber those who died in the armed forces – in villages of under a hundred houses. No wonder the peaceful co-operation of the European Union (yes, with all its flaws) is so valued across the Channel. No wonder the couple of ordinary people who raised the subject with me were so baffled and politely indignant about the UK Referendum – both the campaign’s distortions and lies, and the vote’s outcome.

Gosh this all sounds very serious. Yes, such things are, and they matter, and I value these experiences which inform and expand my understanding. We also had plenty of fun as well as relaxing with books, DVDs and computer games according to taste. We had some splendid meals out; the local cuisine is good, hearty, farmland food. The countryside is lovely and the people are friendly and welcoming – and French speaking which was a relief as my Dutch is still really minimal.

We visited the Musee des Celtes and that was well worth the trip. It’s small, six rooms over two floors of an old building but with some nice artefacts well displayed, plus a replica Celtic chariot since chariot burials are a notable local feature. Overall it does a sound job of focusing on the specifically Ardennes Celtic populations and archaeology, within the overall context of Celts Europe-wide. That was interesting of itself to us since we’re so used to the Celtic focus being Scots/Welsh/Irish. There’s stuff to keep children interested, plus a wrap-up display about Celts in popular culture today, featuring Asterix, naturally. An interesting side note was the display on the 19th century Celtic Revival in the context of Belgian nationalism. I think I learned more specifically Belgian history that week than I’ve ever known before.

The displays and audio visuals are primarily in French but there is a English booklet offered which translates all the display case cards – in some cases rather amusingly. ‘The defunct’ instead of ‘the deceased’ raised a grin. Not that this party of three with two non-French speakers is in any position to feel superior, you understand. Overall, through the week, I was pleased/relieved how well my French held up as the family’s sole communicator, given I’ve never been properly fluent and I don’t use it overmuch.

By contrast, the Chateau de Bouillon is one of the biggest castles we’ve visited. It’s high on a rocky outcrop – and substantially built into it – dominating one of the river valleys that’s been a passage through the Ardennes for Germanic invaders heading west for, well, forever. Consequently this castle’s defences have been successively used, refined and updated from 968 to 1944. The views from it, and of it from the town, are spectacular and its long history is fascinating.

It’s also the only castle we’ve visited where dogs are banned specifically because the resident and apparently highly territorial eagles will see them as prey and attack accordingly… There’s an impressive collection of birds of prey with excellent daily displays featuring assorted owls and raptors from sparrowhawks to steppe eagles. Unsurprisingly I am now thinking how to integrate the new things I learned about falconry into my next fantasy project…

As promised, here are some pictures.

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What I wrote on my holidays – stories for Novacon!

This year sees Novacon 46, the UK’s longest running regional SF convention and I have the considerable honour of being the Guest of Honour. As programme and other plans are now being finalised, it’s safe to say I’m going to have a hugely enjoyable weekend on 11th-13th November, along with everyone else.

But there’s still more to this particular honour. Novacon has a tradition of publishing a special, limited and numbered edition of a chapbook by their Guests of Honour each year. So while I was away for the past few weeks, I polished up my own contribution to this series. I’ve written two stories. One’s a fantasy set in the River Kingdom, exploring another facet of this new world I’m currently creating. The other’s a science fiction tale, to honour the Birmingham SF Group‘s fine tradition.

And this is where it get’s even better. David A. Hardy is doing the chapbook cover – and what I’ve seen thus far is awesome. That’s not the only reason I’m so thrilled though; as an epic fantasy writer, it never occurred to me that I’d be lucky enough to have him illustrate my words.

I’m a huge admirer of David’s work, seen on so many of my favourite SF novels for literally decades – and in so many other places. Just this week, I learned that he did the planetary backgrounds for the second series of Blake’s 7! I seriously recommend you find the time for a good long browse of his website. If you’re ever at a convention where he’s the Artist Guest of Honour, do NOT miss the opportunity to see and hear him explain his working process. Even for non-artists like me, his slideshow and commentary is utterly fascinating.

So what’s this particular SF story about? Well, it’s another tale set on Titan Lagrange Four, the deep space industrial facility I first visited in my story for ‘Eve of War‘. I do find space stations fascinating. The notion of an enclosed environment. What happens when a situation prompts ‘fight or flight?’ The need for multiply redundant and fail-safe systems, because if something goes badly enough wrong, there’s a good chance that everyone will die. Except, the people out there can’t let things like this prey on their mind or they’d never be able to function. I remember having a fascinating conversation along these lines with a scientist working on North Sea oil rigs, when I was visiting the Aberdeen SF society many years ago… And then there are all the different possibilities for a space station’s functions? These aren’t the only reasons why Deep Space Nine is my favourite Star Trek series, but it’s definitely a factor. The same goes for Babylon 5.

So I’m really looking forward to Novacon. If you fancy joining the fun, you can find out all the details here.

And incidentally, if you’ve read The Hadrumal Crisis trilogy, you may like to read Helena Bowles’ review of the series in the convention Progress Report 2 – downloadable here. She not only gets what I’m aiming for with these books but also highlights relationships between some aspects that I hadn’t consciously articulated to myself, if that makes any sense. I do like reviews that show me something new about my own work!