The latest anthologies from ZNB are now out, and my story The Echoes of a Shot can be found in Alternate Peace. These tales of alternate history look at what might have happened if something dramatic didn’t happen; a war, an assassination, a battle that we know was pivotal in our timeline. My starting point was thinking about the way that warfare accelerates technological change. What could it mean for politics on both sides of the Atlantic, if progress in key areas never happened in the second decade of the 20th century? The 1930s could look very different…
This January sees the twentieth anniversary of the first publication of The Thief’s Gamble. That’s quite some milestone, especially considering all the epic upheavals and changes that we’ve seen in publishing, book selling, and the SF&Fantasy genre over these past two decades. So I am tremendously grateful to all the enthusiastic fans who’ve enjoyed my books and spread the word that continues to bring new readers to the Tales of Einarinn. I’m also pleased, and proud, that these stories I devised so long ago stand up to readers’ expectations today.
The advent of ebooks, and an online environment that facilitates small presses, plays a huge part in enabling writers like me to keep our early books available. Accordingly, I’m very pleased indeed, that the digital VAT threshold that I helped campaign for, and secure, has come into force this month. This means that small presses can now sell their own ebooks direct to readers, free of DRM and with a choice of formats as they see fit, and without losing significant earnings for themselves and their authors as 3rd party platforms take 20% VAT straight off the retail price, followed by their own cut of over 50% (Google) and 30% (Amazon). When you’re considering a small press purchase, do check to see if it’s possible for you to buy direct. The cost to you will be the same, and the authors and publishers will benefit.
This change in the legislation means Wizard’s Tower Press has been able to re-open its online bookstore, and Cheryl and I have decided to mark this month’s anniversary with a special offer on all five Tales of Einarinn. From now until the end of January, the five novels are on sale. The prices are US$2.99, £2.35 and €2.99. You can also buy a fabulous omnibus edition that contains all five novels and the short story collection, A Few Further Tales of Einarinn. Until the end of January that’s just $9.99/£7.99.
These offers will also be available through Barnes & Noble, Kobo, Google, and Amazon, though apparently Amazon’s website is currently baulking at the omnibus thanks to the adds-on from their own file formatting. Hopefully that can be sorted out, and meantime, if you need a Kindle version you can buy it from the Wizard’s Tower Bookstore. As ever, I am indebted to Cheryl for tackling all these technical issues.
So now’s the ideal time to renew your acquaintance with the world of Einarinn, and to recommend the Tales to new readers. All signal boosting will be very much appreciated, naturally!
You should also be able to order the paperback through your local bookshop in the UK and in the US – it’s listed in their wholesale catalogues.
I’ll update with more links as the vagaries of availability smooth themselves out!
And could I ask, if you’ve read and enjoyed the book, could you please consider leaving a few words of review with your online retailer of choice? With a project like this, those reviews really do make a big difference…
Writing an extended sequence of novels like the Tales of Einarinn and my subsequent series set in that world doesn’t stop a writer like me from having other ideas. In many cases, that idea will be a one-shot wonder just right for a short story. Sometimes though, that short story turns out to be the first step on a longer journey.
Back in 2008 I was invited to contribute to an anthology entitled ‘Imaginary Friends’. I began thinking about the ways in which such a friend could be both real and imaginary – to one person at least. If everyone knew what was happening, there wouldn’t be much of a story. But if only one person could see this mysterious friend, what then? Comedy? We’ve all seen that episode in every telly SF/fantasy series and in films from ‘Harvey’ onwards. What if this is something darker and more mysterious? Monsters from the Id? That’s one classic Science Fiction answer – but what if there are no such easy explanations?
What if there’s uncanny magic at work, something imperfectly understood? Because magic doesn’t always have to be codified and organised by learned, collegiate wizards like those in Hadrumal. What if such magical creatures come from a parallel realm of superstition and myth? Let’s imagine a world with different layers of existence like those glimpsed in a picture that’s been hanging on my wall ever since my sister gave the family our pick of the pieces she did for her Art A Level?
But no matter how dangerous it might be, some people will always make use of magic, or at least, they will make the attempt. Meantime, surely some of those with such perilous power will feel a responsibility to protect those who remain unawares? Who will watch over the vulnerable? Who will watch the watchmen? What could I do with such universal SF and fantasy questions in this particular setting?
I’ve been exploring these and other ideas in various stories and one novella set within the River Kingdom ever since. The more I’ve written about it, the underlying concept and this new fantasy realm without the fixed and comforting borders of coasts and seas has steadily expanded. Now I’m seeing possibilities for further and longer stories set in this world, exploring the relationships and conflicts between its tangible and intangible aspects. So the time is right to offer this collection – with the addition of one entirely new story. Those who’ve come across one or two of these tales thus far can now enjoy them all. Those who’ve only read my Einarinn books can enter a whole new fantasy world.
As always, I am indebted to the talented people I’m working with, providing key skills that I lack. Ben Baldwin, who you’ll recall did the fabulous Aldabreshin Compass artwork you can admire to the left of this post, has produced another stunning cover. Sophie E Tallis is working on a truly awesome map. Cheryl Morgan of Wizard’s Tower Press has been getting to grips with all the intricacies of making the book available in paperback as well as electronic formats.
Getting the final volume of The Aldabreshin Compass out in ebook has set me thinking about the challenges for a writer when it comes to concluding a series. Since I’m always interested to know what other authors think about a topic that’s got my attention, and noticing her current epic fantasy story is now reaching its own conclusion, I invited Gail Z Martin to share her thoughts on this particular topic. As you’ll see from reading this piece, that was an email very well worth me sending.
When the End Comes
By Gail Z. Martin
Saying goodbye is hard, especially to the people who have been living in your head.
Ending a series is bittersweet, because it brings a story arc to a conclusion, but it often means that those characters who have been in your thoughts every day for years, maybe decades, won’t be hanging out with you anymore.
So how do you wrap up a series in a satisfactory way, and in today’s digital publishing world, is goodbye ever really forever?
I’ve put a bow on two series now: The original Chronicles of the Necromancer/Fallen Kings Cycle series that runs from The Summoner to The Dread, and the Ascendant Kingdoms Saga series that ranges from Ice Forged to Shadow and Flame. I’m happy with the outcome in both cases, but it’s always sad to reach the end of the journey.
As a reader, I still feel sad thinking about series that ended the adventures of characters I’d come to love, like the Harry Potter series or the Last Herald Mage series. The series came to a planned conclusion, but it was still sad nonetheless that we wouldn’t be going on new journeys together. Having those experiences helps me make my own decisions as an author to give readers the best wrap-up possible and leave the characters at a good stopping point.
For the record, I think the whole debate about ‘happy endings’ is bull. A book’s ending is an arbitrary point chosen by the author. In the real world, we all have good days and bad days. If we are telling a story and chose to end the write-up on the character’s wedding day or the birth of a child or a big business success, that would be a ‘happy ending’ but it doesn’t ensure that tomorrow the character wouldn’t be hit by a bus, which had the story continued would make it a ‘tragic’ ending. That’s why I don’t think happy endings in and of themselves, properly led up to and reasonably executed are unrealistic. It’s an arbitrary decision of when we stop rolling the film on our character’s lives and let them go their way unobserved. I don’t buy into the idea of tragedy being more real or honest than happiness, or that a tragic ending is more legitimately literary than giving your characters the chance to go out on a good day.
So here’s what I think matters when it comes to wrapping up a series or a multi-book story arc:
1. Wrap up the loose ends. Make sure you’ve got all the characters accounted for, the plot bunnies caged, and the stray threads tucked in neatly. Don’t leave us wondering ‘whatever happened to …”
2. Give us closure. It may turn out that fate and free will are illusions and everything is mere random chance, but if it does, human minds will still be driven to assign meaning and context. So whatever journey or quest your characters have taken, make sure that by the end, we know what it all meant and what comes from it. Leave us with a sense of purpose.
3. Glimpse the future. None of us knows what tomorrow brings, but that doesn’t stop us from making plans. So have your protagonist face the future with the intent to move forward, and let us know what that looks like.
4. Provide emotional satisfaction. If you’ve made us care and cry and laugh and bleed for this character, then the least you can do is give us the emotional satisfaction of knowing how the character feels when it’s all over, and perhaps how the other key characters feel as well.
Now for the second part—do we ever have to really reach the end? Thanks to ebooks and the advances in self publishing, it’s possible for authors to continue to create new adventures in series long after the books are out of print or a series has officially ended. After all, authors can make a profit off self-pub sales levels that are far below what a traditional publisher considers viable. Readers love to get additional canon stories. And of course, there are also a growing number of book series that have been reanimated by new writers (Dune, for example) after the original author dies.
I truly think that series extension via ebook is going to continue to grow. There’s a lot of upside, and very little downside. I’ve written three novellas in my Ascendant Kingdoms world that fill in part of the six-year time gap that occurs early in Ice Forged, and I have another three in mind for later this year. (The three stories currently available are Arctic Prison, Cold Fury and Ice Bound, and the coming-soon collection of all three is The King’s Convicts.) They’re every bit as much ‘canon’ as the books, but they’re extra stories that flesh out characters and set up later events.
Likewise, my Jonmarc Vahanian Adventures are prequels to The Summoner, adding up eventually to three serialized novels of backstory for a very popular character. So far, there are 18 short stories and there will be three more novellas by the end of the year. And in the case of the Jonmarc stories, the original publisher asked to do a collection of the first ten short stories plus an exclusive eleventh and bring out the collection in print and ebook (The Shadowed Path, coming in June 2016). That’s a win for me, for readers and for the publisher, because it keeps existing fans happy while potentially bringing in new fans, and it helps me keep a light on for the characters until I get to write the other six books in the series that are bouncing around in my brain.
So there you have it—goodbye doesn’t have to be forever. Every series ending is the beginning of a new series extension. Virtual immortality, for our virtual characters. Seems like a win-win-win to me!
About the Author
Gail Z. Martin is the author of Vendetta: A Deadly Curiosities Novel in her urban fantasy series set in Charleston, SC (Solaris Books); Shadow and Flame the fourth and final book in the Ascendant Kingdoms Saga (Orbit Books); The Shadowed Path (Solaris Books) and Iron and Blood a new Steampunk series (Solaris Books) co-authored with Larry N. Martin.
She is also author of Ice Forged, Reign of Ash and War of Shadows in The Ascendant Kingdoms Saga, The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven, Dark Lady’s Chosen); The Fallen Kings Cycle (The Sworn, The Dread) and the urban fantasy novel Deadly Curiosities. Gail writes three ebook series: The Jonmarc Vahanian Adventures, The Deadly Curiosities Adventures and The Blaine McFadden Adventures. The Storm and Fury Adventures, steampunk stories set in the Iron & Blood world, are co-authored with Larry N. Martin.
Her work has appeared in over 25 US/UK anthologies. Newest anthologies include: The Big Bad 2, Athena’s Daughters, Unexpected Journeys, Heroes, Space, Contact Light, With Great Power, The Weird Wild West, The Side of Good/The Side of Evil, Alien Artifacts, Cinched: Imagination Unbound, Realms of Imagination, Clockwork Universe: Steampunk vs. Aliens, Gaslight and Grimm, and Alternate Sherlocks.
Find her at www.AscendantKingdoms.com, on Twitter @GailZMartin, on Facebook.com/WinterKingdoms, at DisquietingVisions.com blog and GhostInTheMachinePodcast.com, on Goodreads and free excerpts on Wattpad
Wizard’s Tower Press will be rolling out the ebook edition of Eastern Tide to the usual online retailers this week. Exactly where it appears and when will largely depend on their arcane processes, so I’ll post updates when sightings are confirmed.
Meantime, here’s the fourth of Ben Baldwin‘s superb illustrations to whet your appetite 🙂 And do feel free to contact Ben if you’re interested in having prints of these wonderful covers to hang on your walls.
As (long) promised, I’m absolutely thrilled to show you the first cover of the ebook editions of The Aldabreshin Compass series. Click to see the larger version in all its glory!
The artist is Ben Baldwin who has been an absolute joy to work with, taking what I’ve said in our email discussions as well as what’s written in the books and somehow not only managing to get right inside my head to see what’s been there since I first imagined these stories but also translating that into four superb pieces of art.
In among a great many other things on the To Do List at the moment, I’m writing up website pages on divination in the Aldabreshin Archipelago, to go live when we start publishing the series in an ebook edition.
I’m aiming to strike a balance between providing clear and comprehensive explanations and creating confusion through information overload.This is trickier than you might expect…
Other preparations are going well, notably the map and progress on the cover art. Keep an eye out for updates!