Bristolcon (and other news)

I had an excellent time at Bristolcon on Saturday, first and foremost because I got to ask Guest of Honour John Meaney all sorts of questions about how he first encountered Science Fiction, where and when the impulse to write first got its claws into him, about the ways his own writing and career have developed, so on and so forth. We could have gone on for twice the time allowed – revisiting John’s work, and reading a couple of things for the first time, by way of preparation has been a real treat. If you’re not familiar with his writing, I recommend it highly, and of course, John is the SF Guest of Honour at the 2014 Eastercon, Satellite 4, in Glasgow. (Alongside me which will be added fun).

Anne Sudworth was the Artist Guest of Honour, ably interviewed by Ian Whates. That not only made for enthralling listening but sent me to the art room (truly excellent displays from a range of talented artists this year) to look at her work with fresh eyes and new ideas. I’m looking forward to her GoH illustrated talk at EightSquared with ever more eager anticipation.

After lunch I sat in on the Women in Sensible Armour panel which managed to be both light-hearted, good humoured and address serious issues about representation of women in speculative fiction. Then I chaired what proved to be a very interesting debate on Apocalypses (Why?) in SF, with panellists John Meaney, Janet Edwards, Tim Maughan and Michael Dollin. The panel and audience touched on all sorts of interesting ideas, even managing to show me there can be some point to zombies.

However, at that point, I decided to call it a day and head home. I was struck down by a particularly unpleasant gastro-intestinal bug last week and was still feeling pretty rough on Saturday. Also, while I knew I was past the crucial quarantine period for not putting other people at risk – and was equipped with hand sanitizer regardless – I still felt inclined to hold back from socialising, really not wanting to risk the remotest possibility of being patient zero for an outbreak of concrud. So if you were there and thinking I seemed less cheery/sociable than usual, that’s the explanation. And given how exhausted I felt on Sunday regardless, going home early was clearly the right decision.

In other news, the Fabulous Busking Boys (my Junior Son and his mate, no that’s not really what they call themselves) have won a local talent competition. As well as adding a hundred quid to their steadily impressive weekly earnings in Oxford, they were awarded an eighteen inch tall bronze eagle statue. Yes, really. It’s astonishing. We have no idea where the organisers got it or where it was made. But it’s already proved useful. I have an invitation to submit a story for an epic, heroic anthology (details to follow in due course) and yes, a brass eagle will now feature centrally in that. (Answer Umptyhundred-and-whatever to ‘Where do you get your ideas from?’)

If anyone can identify its likely origins, we’d be fascinated to know.

Author: Juliet

Juliet E McKenna is a British fantasy author living in the Cotswolds, UK. Loving history, myth and other worlds since she first learned to read, she has written fifteen epic fantasy novels so far. Her debut, The Thief’s Gamble, began The Tales of Einarinn in 1999, followed by The Aldabreshin Compass sequence, The Chronicles of the Lescari Revolution, and The Hadrumal Crisis trilogy. The Green Man’s Heir was her first modern fantasy inspired by British folklore in 2018, and The Green Man’s Quarry in 2023 is the sixth title in this ongoing series. Her 2023 novel The Cleaving is a female-centred retelling of the story of King Arthur, while her shorter stories include forays into dark fantasy, steampunk and science fiction. She promotes SF&Fantasy by reviewing, by blogging on book trade issues, attending conventions and teaching creative writing. She has served as a judge for major genre awards. As J M Alvey, she has written historical murder mysteries set in ancient Greece.

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