It’s in The Bookseller, so it must be true! “Angry Robot Books has landed an “exciting and fresh” feminist retelling of the Arthurian legends by Juliet E McKenna.”
Now, it’s been a fair while since I was on a panel at a convention discussing the Arthurian myths, but those who remember such conversations may well find this a surprise. After all, my view was pretty clear; how can a writer bring something new to such an oft-told story? Especially when we all know how it ends – and that’s certainly not happily ever after!
So what has changed? Well, a few things came together in one of those accidents of serendipity that every writer will recognise. While I was doing background reading for The Green Man’s Challenge, looking for the roots of myths about giants in British folklore, one source was Geoffrey of Monmouth. He’s one of the early sources for the Arthurian myths, and I found myself rereading those bits as well, and thinking about why Geoffrey told those tales in the way that he did.
I’ve also been reading Kari Sperring’s Arthurian novellas from Newcon Press. Those are as enjoyable as they are interesting, and they took me back to Malory’s version of these myths in the Le Morte D’Arthur for the first time in decades. I had forgotten how much magic, mystery and downright weirdness there is in those particular stories. I’ve had some interesting chats about that with Kari, and with Liz Williams, who’s currently writing rural fantasy that harks back to all manner of ancient British folklore.
At the same time, the wider conversation about epic fantasy within the SFF genre has continued. We see a fascinating range of heroes having adventures in fabulous worlds drawing on intriguing mythic traditions these days. But there are still those who try to insist that ‘true’ epic fantasy can only be white knights on noble steeds rescuing damsels in distress. There’s certainly no denying that a great many of the conventions and traditions of the genre can be traced back to these age-old myths. That doesn’t mean that out-dated ideas and themes can’t be challenged though. As anyone who’s read my epic fantasy novels knows, I’ve been doing that since The Thief’s Gamble was first published in 1999.
It was a smaller step than I expected to go from looking at these ‘heroic’ Arthurian stories from a woman’s viewpoint today, to wondering what the women caught up in that whole myth cycle would be thinking and feeling themselves…
The Cleaving will be out on 9th May 2023
(And just in case you are wondering, yes, I am also working on the next Green Man novel)