Fire in the Night – a free story from the Aldabreshin Archipelago

Revisiting your own work is a curious experience for a writer, in my experience at least. When you’re working on a book, from first outline to final page proofs, that’s pretty much all you think about. You have every detail at your fingertips. You know the story inside out. You’ve been living with these characters for however long the work’s been in progress. Then quite suddenly, that’s done, and you move on to the next thing. This new story may or may not involve the same characters, but regardless, it’s a new adventure full of fresh challenges for you as a writer. As it fills your thoughts, it’s surprising how quickly the fine detail of earlier books fades from your memory. You’ll recall the broad strokes, obviously, but not the line-by-line. By the time I was on the third, fourth and fifth book of The Tales of Einarinn, my reference copies of the earlier volumes bristled with Post-It tags so I could find descriptions and incidents I needed to refer back to. Thank goodness for electronic versions and search boxes these days.

I revisited The Aldabreshin Compass books in 2015, when I was proof-reading the text we’d prepared for the new digital editions from Wizard’s Tower Press. This was the first time I’d really engaged with these stories and characters since Eastern Tide was published in 2006. I’m pleased to say I thoroughly enjoyed the process. The books held up well for me as an author, and as a reader, I found the story really exciting! At a couple of points, I genuinely caught myself wondering what’s going to happen next?! I knew the situation, whatever it was, would be resolved, but I had honestly forgotten exactly how?

Perhaps it’s because I was engaging with these books at least as much as a reader this time around that I began to see other things. There’s a young soldier who falls off a battlement in the first book, Southern Fire. As the writer, I hadn’t given him a second thought, because my focus was on Daish Kheda, the warlord whose personal journey drives the narrative of this whole series. As a reader though, now I kept wondering what had happened to that young man who had disappeared into the darkness…?

As I read the following books, I found I had other questions. Kheda goes on his journey, but life at the home he has left goes on without him. Some of the consequences of this become apparent, as other people’s paths cross his own, but as a writer, my focus always stayed with his story. As a reader though, I found I wanted to know more of what had gone on without him. What lay behind the choices and decisions made by the people he had left behind…?

I am a writer first and foremost. That said, I’ve always found inspiration in the questions keen readers have asked me. Now that I was the curious reader, these questions just wouldn’t go away. Ideas stirred. In between other projects, I began writing a series of linked short stories that sit between the volumes of The Aldabreshin Compass. These can be read on their own, as well as offering added depth and insights for those who’ve read the Compass sequence.

So I started with that fateful night when Daish Kheda was so treacherously attacked, and his faithful retainers risked their lives to defend him. You can find the free ebook here, along with other free reading from Wizard’s Tower Press, and the ‘Colinthology’ which raises money to support Bristol hospitals.

Artwork by Ben Baldwin

Author: Juliet

Juliet E McKenna is a British fantasy author living in the Cotswolds, UK. Loving history, myth and other worlds since she first learned to read, she has written fifteen epic fantasy novels so far. Her debut, The Thief’s Gamble, began The Tales of Einarinn in 1999, followed by The Aldabreshin Compass sequence, The Chronicles of the Lescari Revolution, and The Hadrumal Crisis trilogy. The Green Man’s Heir was her first modern fantasy inspired by British folklore in 2018, and The Green Man’s Quarry in 2023 is the sixth title in this ongoing series. Her 2023 novel The Cleaving is a female-centred retelling of the story of King Arthur, while her shorter stories include forays into dark fantasy, steampunk and science fiction. She promotes SF&Fantasy by reviewing, by blogging on book trade issues, attending conventions and teaching creative writing. She has served as a judge for major genre awards. As J M Alvey, she has written historical murder mysteries set in ancient Greece.

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