A Sunday Lockdown Update

So, we’ve watched The Witcher, and found it entertaining, in a ‘Dungeons and Dragons for the telly’ kind of way. Which probably says a fair bit about our family approach to tabletop and LARP gaming. It was uneven at times – the range of accents was occasionally distracting for me. The dialogue lurching from ‘verily, we must make haste to yonder castle’ to ‘bollocks to that, pal’ could do with smoothing out. Some more obvious cues about the different timelines wouldn’t have gone amiss. That said, the perspectives on magic and politics, and the continental setting were interesting and did some testing of cliches. Other cliches were embraced, alas, at least for the moment. I’ll be interested to see where those particular story elements go. Overall, I’m sufficiently engaged to look forward to Season 2.

In other news, Husband and I were both overdue a haircut when all this started. I have now resorted to a hairband to keep my fringe out of my eyes. He’s developing an unexpectedly Tintinesque look. No, there will not be pictures.

The recent special offers for The Green Man’s Heir and The Green Man’s Foe have prompted a very nice flurry of positive reviews and ratings by satisfied readers on Amazon and Goodreads. That’s very much appreciated and a boost for morale. I’ve also been making an effort to sit in the garden or the lounge and read a bit each day, for destressing purposes.

However my subconscious is still finding lightning rods for the nebulous anxiety that surrounds us all, sending my thoughts down unproductive pathways. This gets me about as far as a hamster running on a wheel. The latest has been seeing other authors busy doing readings and panels and chatting online by video. Should I be doing that ?! Why am I not doing that?!

Well, I am honestly too busy – my next deadline is still in place and it’s a tight one. True, but that doesn’t get the hamster-brain off the squeaky wheel.

But I don’t know how to do this stuff. I’ve done plenty of video interviews, but that’s always been with someone else doing the tech. Yes, I’m sure I could work it out, but that would take time I don’t have to spare – see above. All true, but once again, that doesn’t get the hamster off the wheel .

But I simply don’t want to do it – and it’s not only because my hair’s a ragged mess at the moment, though that is a part of it, because I prefer to present myself professionally. It’s the thought of the total demand of prepping material, being on time for something remotely organised, coordinating with other people, doing the tech stuff at my end etc etc etc – when I am so busy and life is still so odd and uncertain. I do not need more stuff to do.

Thankfully admitting that to myself gets the hamster to stop scampering. I am under no obligation to do this stuff. Time I can spare from work is at least as well, if not better spent on self-care just at present. If I decide I want to, that’s fine, and I can ask for tech help then. When I’m ready. If I want to.

So I will continue to write the next Ancient Athens murder mystery and focus on that – which is proving very enjoyable. So far I have encountered another of those things they don’t tell you about being a writer – that you will need to look up the history of fruit. No, Philocles can’t have peaches for breakfast. If he does, someone somewhere will know that’s wrong, and a) be thrown out of reading this book, and b) will say so online these days. So – and apologies for spoilers – Philocles is eating cherries instead.

Author: Juliet

Juliet E McKenna is a British fantasy author living in the Cotswolds, UK. Loving history, myth and other worlds since she first learned to read, she has written fifteen epic fantasy novels so far. Her debut, The Thief’s Gamble, began The Tales of Einarinn in 1999, followed by The Aldabreshin Compass sequence, The Chronicles of the Lescari Revolution, and The Hadrumal Crisis trilogy. The Green Man’s Heir was her first modern fantasy inspired by British folklore in 2018, and The Green Man’s Quarry in 2023 is the sixth title in this ongoing series. Her 2023 novel The Cleaving is a female-centred retelling of the story of King Arthur, while her shorter stories include forays into dark fantasy, steampunk and science fiction. She promotes SF&Fantasy by reviewing, by blogging on book trade issues, attending conventions and teaching creative writing. She has served as a judge for major genre awards. As J M Alvey, she has written historical murder mysteries set in ancient Greece.

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