A few New Year thoughts…

… starting with why you didn’t read this yesterday. I thought about posting something but when I took a glance at the Internet, the first thing I saw was a SF&F row swirling around. I thought briefly about trying to determine where the lines between misunderstanding and bad faith might lie on either side – and then logged out to spend the day with my family instead. We can call that a New Year’s resolution, if you like. There’s more than enough negativity around at the moment, so I’m not interested in looking for more.

I’m currently appreciating my family, those nearest and those further away. 2017 saw some ups and downs but overall, both the sons and the husband are on an even keel, hopefully set fair for 2018. My parents and step-parents continue pretty hale and hearty – and long may that continue. I really appreciate being the off-spring of a teenage romance these days, now that so many good friends are supporting increasingly elderly and infirm parents with all the practical and emotional challenges that brings, up to and including bereavement.

Somewhat unexpectedly, 2017 also saw me branching out into editorial services. Two writers whom I’d taught on residential courses contacted me asking if I ever worked one-on-one with authors. Knowing that both were tough enough to take realistic appraisal of their writing, I accepted this new challenge, and it’s been very rewarding. They’re two very different writers, with two very different and interesting projects. Both have been applying themselves diligently to addressing the issues I’ve highlighted, drawing on my own twenty years in this business. Both projects are progressing and improving. And yes, this added income stream is welcome amid the ongoing flux of the book trade that sees author advances and earnings continue to fall. (And no, I’m not touting for trade – the time that I can spare for such work is currently fully committed.)

All such ticks in the plus column are all the more welcome against the bigger picture that’s been so uncertain and troubling throughout 2017. Here in the UK we have the divisive and destructive idiocy that is Brexit, whose equally destructive economic impact is only just beginning to be felt. Across the Atlantic, US pals have the horror show that is the Trump administration. If ‘administration’ is the right word for such a shambolic and nakedly predatory presidency.

All of which makes it very tempting to bar the front door, stop reading/watching the news, and opt out of social media beyond staying in touch with family and real-life friends. The thing is though, one of the last things 2017 handed me was confirmation that individuals really can make a difference. In December 2014 new regulations on the taxation of cross-border digital sales across the EU looked disastrous for the person-to-person digital economy. All the small traders who would be worst affected were told there was nothing we could do. I was one of half a dozen self-employed women who refused to take that for an answer and spent 2015 and subsequent years lobbying and campaigning for change. December 2017 saw the changes we need signed into law, effective 1st Jan 2019. In legislative terms, we achieved pretty much the impossible, far more quickly than might be expected.

Not without cost. For me and Clare Josa, it meant pretty much abandoning our own businesses throughout 2015 in favour of campaign work. It was the first year since 1997 that I didn’t write a full novel – though I wrote around two novels worth of words in blog posts, letters, reports, and submissions to organisations like the OECD and legislative bodies like the House of Lords. The other women of the EU VAT Action team similarly sacrificed time they’d otherwise have spent on work and family, according to the contribution they were able to make.

But we did it, and that’s something to take forward into 2018. We can make a difference and we can bear the cost. Let’s make our voices heard against the selfishness and greed that’s leaving so many destitute and desperate. Let’s reclaim the reins of power in the interests of the many, not merely the few. Write letters, make phone calls, protest.

What else will I be doing in 2018? Reading. A lot of reading. I’m serving as a judge for the World Fantasy Awards, which promises to be fascinating and demanding in equal measure.

I’ll also be reading for the background and research required for a new publishing project, of which more details in due course. After several years of primarily small-press and short-story publication, this New Year sees the prospect of my work on the mass-market shelves in 2019. As I say, there will be more news about all that later on. There’ll also be a few short stories from me here and there through the year.

Meantime, and more immediately, Wizard’s Tower Press will be publishing my next novel shortly. The Green Man’s Heir is a modern fantasy, drawing on the folklore of the British Isles, and prompted by looking at urban fantasy from a few different angles. Once again, I’m indebted to Cheryl Morgan’s technical and publishing expertise. Ben Baldwin’s artwork is fabulous, and Toby Selwyn has done a stellar job as the book’s editor. All of which reminds me of all the positive, supportive and constructive people there are in SF&F fandom, always there to far outweigh outbreaks of negativity and back-biting.

So I will get back to checking over the ebook version Cheryl has sent me, as my first task of 2018. Watch this space for more, and soon!

Author: Juliet

Juliet E McKenna is a British fantasy author living in the Cotswolds, UK. Loving history, myth and other worlds since she first learned to read, she has written fifteen epic fantasy novels so far. Her debut, The Thief’s Gamble, began The Tales of Einarinn in 1999, followed by The Aldabreshin Compass sequence, The Chronicles of the Lescari Revolution, and The Hadrumal Crisis trilogy. The Green Man’s Heir was her first modern fantasy inspired by British folklore in 2018, and The Green Man’s Quarry in 2023 is the sixth title in this ongoing series. Her 2023 novel The Cleaving is a female-centred retelling of the story of King Arthur, while her shorter stories include forays into dark fantasy, steampunk and science fiction. She promotes SF&Fantasy by reviewing, by blogging on book trade issues, attending conventions and teaching creative writing. She has served as a judge for major genre awards. As J M Alvey, she has written historical murder mysteries set in ancient Greece.

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