Reasons to watch “Show Me A Hero” – the HBO/David Simon miniseries.

We watched this over the weekend, being fans of David Simon’s other work, notably The Wire and Tremé. It’s based on the book of the same name* by Lisa Belkin, focusing on events in the city of Yonkers, New York, between 1987 and 1993, following a Federal court ruling that public housing must be distributed throughout the city to end de-facto racial segregation. Local opposition was vociferous and ferocious, fearing that the spread of crime and disorder would see property values in ‘good’ neighbourhoods plummet.

Nick Wasicsko was the young politician who initially saw a route to power by supporting appeals against this ruling, though in fact he saw the new housing projects as both inevitable and desirable, according to this series at least, and let’s bear mind that his former wife was a consultant on the project. Anyway, he soon found himself dealing with the aforementioned local residents’ opposition, with other politicians out to serve their own interests by posturing over the issue, and with outside groups keen to use this conflict to advance their own agendas. Oscar Isaac, now perhaps better known as Poe Dameron, is outstanding in this central role, and the cast overall is a stellar one, with actors like Alfred Molina and Winona Ryder ensuring that supporting roles have a major impact on the story and on the screen. Oh, and it’s nice to see Jon Bernthal with hair for a change.

The miniseries is well worth watching as a drama, bearing in mind that the title comes from F Scott Fitzgerald’s dictum ‘Show me a hero and I’ll write you a tragedy’. It’s also a compelling exploration of the deeply rooted and multifaceted divisions and complications in American society and politics~. The drama shows valid concerns as well as unconsidered prejudices on both sides together with systemic problems both in public policy and political structures. This is all the more thought-provoking when you consider that the book was written in 1999 and the series first broadcast in 2015. It showed us how the attitudes which have put President Trump in the White House didn’t spring up out of nowhere in 2016.

However, and equally, if not even more importantly, the series shows that such apparently intractable situations can be resolved. We see that given chances and choices, those disadvantaged in life from the outset by poverty and poor education can still succeed. Some of them at least. Others will never see beyond their limited horizons. We see that integration and information enables those initially fearful of unfamiliar racial communities to understand that more unites humanity than divides us. Some of them at least. Others will never abandon inherited, unexamined bias. And on both sides, there will always be those ready and waiting to exploit such situations for personal gain.

We need stories like this more than ever at the moment, to counter the seductive, deceptive narrative of easy solutions and handy scapegoats being peddled by politicians all around the world.

* I have just bought the book and look forward to reading it.
~ We in the UK have no cause for complacency. The flaws in our own political systems may be different but they should be as great a cause for concern.

Author: Juliet

Juliet E McKenna is a British fantasy author living in the Cotswolds, UK. Loving history, myth and other worlds since she first learned to read, she has written fifteen epic fantasy novels so far. Her debut, The Thief’s Gamble, began The Tales of Einarinn in 1999, followed by The Aldabreshin Compass sequence, The Chronicles of the Lescari Revolution, and The Hadrumal Crisis trilogy. The Green Man’s Heir was her first modern fantasy inspired by British folklore in 2018, and The Green Man’s Quarry in 2023 is the sixth title in this ongoing series. Her 2023 novel The Cleaving is a female-centred retelling of the story of King Arthur, while her shorter stories include forays into dark fantasy, steampunk and science fiction. She promotes SF&Fantasy by reviewing, by blogging on book trade issues, attending conventions and teaching creative writing. She has served as a judge for major genre awards. As J M Alvey, she has written historical murder mysteries set in ancient Greece.

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