It still feels a bit strange to be putting in-person dates in the diary – in a good way. I’m also very pleased to still be putting online events into my schedule. We have learned how these can be done successfully now, and how important opportunities to participate have become to so many people who would be unable to join in otherwise. Hybrid events definitely need to be part of the future.
As far as my future plans go –
Thursday 7th April – London Book Fair
Talk: 10:45-11:30 Making a Living from Writing
along with Society of Authors CEO Nicola Solomon (Chair) Abie Longstaff and Katrina Naomi.
15th – 18th April – the 72nd Eastercon: Reclamation
I’ll be joining friends and fans at the Radisson Hotel & Conference Centre, London Heathrow for what promises to be an excellent programme.
20th April – an online talk and conversation session with the Chalk Scribblers Writers’ Group.
7th – 14th May – Milford Writers Retreat, Trigonos, North Wales
1st – 4th July – Westercon 74
Thanks to the marvels of technology, I’ll be part of the international online programming organised by this convention taking place in Tonopah, Nevada.
Friday 16th September – Boston Book Festival (that’s the original Boston, Lincolnshire, UK btw)
At 7pm I’ll be talking about Myth and Modern Fantasy Fiction, and how I write the Green Man books, as well as taking questions.
And there will doubtless be more to add in due course.
The Green Man’s Challenge has made the shortlist for the BSFA ‘best novel’ award, alongside an array of splendid writing and artwork across the various categories. This is tremendously gratifying, as you can imagine.
I’m also delighted to see Worlds Apart: Worldbuilding in Fantasy and Science Fiction from Academia Lunare is on the ‘best non-fiction’ shortlist, since Cheryl Morgan of Wizard’s Tower Press is one of the contributors to that.
The BSFA website now has the full Awards shortlists posted, along with voting instructions for members.
In a wholly fortuitous bit of timing, Amazon have decided to put The Green Man’s Heir on 99p sale this month. As before, Wizard’s Tower Press will be price-matching this across all platforms so readers can use their preferred retailer. So this is an excellent time to recommend your friends give it a try – click the link under the cover art to your left for links to buy.
It’s in The Bookseller, so it must be true! “Angry Robot Books has landed an “exciting and fresh” feminist retelling of the Arthurian legends by Juliet E McKenna.”
Now, it’s been a fair while since I was on a panel at a convention discussing the Arthurian myths, but those who remember such conversations may well find this a surprise. After all, my view was pretty clear; how can a writer bring something new to such an oft-told story? Especially when we all know how it ends – and that’s certainly not happily ever after!
So what has changed? Well, a few things came together in one of those accidents of serendipity that every writer will recognise. While I was doing background reading for The Green Man’s Challenge, looking for the roots of myths about giants in British folklore, one source was Geoffrey of Monmouth. He’s one of the early sources for the Arthurian myths, and I found myself rereading those bits as well, and thinking about why Geoffrey told those tales in the way that he did.
I’ve also been reading Kari Sperring’s Arthurian novellas from Newcon Press. Those are as enjoyable as they are interesting, and they took me back to Malory’s version of these myths in the Le Morte D’Arthur for the first time in decades. I had forgotten how much magic, mystery and downright weirdness there is in those particular stories. I’ve had some interesting chats about that with Kari, and with Liz Williams, who’s currently writing rural fantasy that harks back to all manner of ancient British folklore.
At the same time, the wider conversation about epic fantasy within the SFF genre has continued. We see a fascinating range of heroes having adventures in fabulous worlds drawing on intriguing mythic traditions these days. But there are still those who try to insist that ‘true’ epic fantasy can only be white knights on noble steeds rescuing damsels in distress. There’s certainly no denying that a great many of the conventions and traditions of the genre can be traced back to these age-old myths. That doesn’t mean that out-dated ideas and themes can’t be challenged though. As anyone who’s read my epic fantasy novels knows, I’ve been doing that since The Thief’s Gamble was first published in 1999.
It was a smaller step than I expected to go from looking at these ‘heroic’ Arthurian stories from a woman’s viewpoint today, to wondering what the women caught up in that whole myth cycle would be thinking and feeling themselves…
The Cleaving will be out on 9th May 2023
(And just in case you are wondering, yes, I am also working on the next Green Man novel)
The British Fantasy Society is 50 years old this year! There’s going to be a day of celebration online on Saturday 26th February, and I’m delighted to say that I will be having fun discussing fantastical creatures with Anna Smith Spark and R J Barker at 10.15 am.
There’s a great programme of readings, panels etc soon to be revealed, so mark your diaries. You can find more details here.
Today’s big news is that I have been elected to the Society of Authors Management Committee for a three year term. I joined the Society in 1997, when I was offered my first publishing contract and benefited immediately from expert advice. I have found membership invaluable ever since in dealing with the vagaries of this business through decades of constant change.
Experience has shown me the importance of writers staying informed about changes in publishing and bookselling. It’s vital to keep up-to-date with new technologies which offer us new options when publishers’ and retailers’ decisions serve their own interests but adversely affect authors. The VATMOSS/VATMESS saga also showed me it is essential for authors to advocate for themselves at the very highest levels, and taught me effective ways to do that.
I look forward to working with everyone else on the committee and in the Society in the interests of writers of all genres in these intensely challenging times. If you voted for me, thank you! You may rest assured that I’m mindful of the trust that those SFFH authors who gave me their vote have placed in me. Something I’m particularly keen to explore is the Society’s relationship with the writers who work primarily with small and genre presses.
And overall, what’s good for writers should benefit readers as well. That’s certainly my aim. It’s going to be an interesting next few years
I was in Birmingham this past weekend for the British Fantasy Society’s annual convention. I don’t mind saying, it was a rather strange feeling to be travelling up there. What was meeting up in person for the first time in so long going to be like? As it turned out, it was lovely. It was also rather a relief to find the event was smaller and quieter than some past years’ events, so we could all ease ourselves back into the convention routine. I must have had that conversation independently with at least half a dozen people through the weekend.
This is absolutely no criticism of the convention organisers, to be crystal clear. Putting on any event in the current circumstances is an achievement in itself, and putting on one that was so friendly and sociable, with a varied and interesting programme is a triumph. I was particularly pleased to find myself talking to a good few people attending their first convention, and delighted to hear that they were having a really good time. That bodes well for the Society’s future, along with the Committee’s energetic determination to take the BFS onward and upward.
I very much enjoyed the panels and talks I sat in on, and the panels I was part of went with a swing. We discussed genre-splicing and explored the ways in which mixing and matching different ideas gleaned from wide-ranging reading is a great way to create something new and exciting. I was also part of a discussion about writing as a business. That could have been a tricky one as there’s a lot of outdated and misguided advice out there that needs correcting – but none of us on the panel wanted to crush new writers’ hopes and dreams. Judging from the positive feedback I got all weekend, we struck the right balance.
The Jury’s Inn was a good venue – with the usual allowances to be made for bar staff who’ve never encountered SF and fantasy fans before, plus added pandemic allowances. Conrunners might like to bear it in mind, and there were a range of other hotels within sight of my room for anyone considering a bigger event. As a city centre venue, there are a good range of food options within easy walking distance as well. Granted, driving in was a challenge for my satnav, which ended up having conniptions, but random streets being closed so that tramlines can be laid will only be a temporary state of affairs.
We launched The Green Man’s Challenge, and with Cheryl running the Wizard’s Tower Press table in the dealer’s room, I signed a whole load of other books as well. It was particularly lovely to learn that readers were buying a copy of The Green Man’s Heir, or another title from the series, because they’d enjoyed it so much in ebook they wanted a copy for their shelf.
Next up is Octocon – 1st-3rd October – and that’s a virtual event this year. It’s also free, so I heartily recommend you check it out. I’ll be discussing the resurgence of fantasy on TV, as well as writing fight scenes. I’ll also be doing a reading, so those of you who weren’t at Fantasycon will be able to get a taste of The Green Man’s Challenge online.
On the 30th October, I’ll be heading down the M4 for Bristolcon – an in-person event – which promises to be another step on the road to a new normal after these strange and unpleasant months. It will be lovely to see established pals and to make new friends. As ever, I have no doubt that the convention programme will be excellent.
If I don’t see you at one of these events, let’s hope our paths cross in real life or online real soon.
So what’s the new book about? Well, Daniel Mackmain has been seeing out these strange and stressful months on his own at Blithehurst, the stately home where he works. That’s not a big part of the story*, but after a good deal of thought, I decided I had to keep Dan in the same timeline as the rest of us. Anything else simply wouldn’t be playing fair by Dan or his readers.
As this story opens, it seems the Green Man expects Dan to resolve another potential clash between those mysterious beings who dwell unseen in wild places and the ordinary people who have no idea what’s out there. Dan’s wondering what exactly this particular threat might be, when he hears from his girlfriend, Fin. She thinks she’s seen a giant in the Wiltshire twilight, high up on the chalk downs. What myths and folk tales can they find that might be useful? Not nearly enough…
If these were anything like normal times, I would now be telling you about the interesting places and local museums I visited as I researched the background for this story. Since these are far from normal times, other than visiting Uffington, I’ve had to do most of my research from my desk. Thank goodness for the Internet. Firstly for the second-hand and specialist booksellers online who were able to provide the books I decided I needed. Secondly, for the local history and folklore enthusiasts whose websites and podcasts who have given me a whole lot more, often wholly unexpected material. Lastly, and by no means least, I’m hugely grateful to the ramblers and walkers who’ve posted photos that gave me visual references for things I couldn’t go and see for myself.
I’m also truly thankful for the SF&Fantasy community of readers, reviewers and bloggers who have shared their enthusiasm for these stories far and wide. Books succeed thanks to word of mouth recommendation, whether that’s in person or via social media in its many forms. Amid all the current upheavals, that remains unchanged. And of course, this great community of ours first introduced me to the people without whom none of these books would have happened: Toby Selwyn, who’s now editing my work as a professional after reading my books as a fan for so many years; Ian Whates who recommended the fabulously talented Ben Baldwin to me when I needed an artist for my Aldabreshin series; Cheryl Morgan, who set up Wizard’s Tower Press specifically to help authors like me get our backlists out as ebooks – and who agreed to take that first leap into the unknown by publishing The Green Man’s Heir. Go Team!
*There is a bonus short story that does address one aspect of the impact of the lockdown on Blithehurst. I had to work out what was going on there while Dan is busy elsewhere. The answer turned out to be very entertaining to write, not least because this particular tale is told by Eleanor Beauchene. It was fun seeing events – and Dan – through her eyes.
Wizard’s Tower Press is also now doing online mail order for paperbacks and hardbacks (with bonus ebook included) – and not only for my books. Do check out the growing list of new titles.
You can now pre-order the book from your preferred retailer as follows –
If you want to go through your local bookshop, these are the ISBNs
If you will be at FantasyCon you can order paper editions for pick-up there.
The first early reviews are in from satisfied readers, I’m very pleased to say.
The Middle Shelf – followed by a Q&A with mild spoilers, consider yourselves warned…
Jacey Bedford – do look up her books as well
What’s that you say? Didn’t I mention the bonus short story earlier? Well, having decided to keep Dan’s adventures in the same timeline as the rest of us, I had some fairly major questions about what months of shut-down would mean for Blithehurst, the stately home where he works. I soon had some entertaining answers, but there was no place for that particular thread in the story Dan has to tell here. But I was pretty sure established readers would be wondering the same things as me, so I decided to let Eleanor explain that ‘Luck Is Where You Find It’.
I think we can all agree that Ben Baldwin has given us another stupendous cover. And what’s the book about? Here’s what the cover will tell you.
A while back, Daniel Mackmain’s life took an unexpected turn. Now the Green Man expects him to resolve clashes between those dwelling unseen in wild places and the ordinary people who have no idea what’s out there. Dan’s father is human and his mother’s a dryad, so he sees what’s happening in both these worlds.
Once upon a time, giants walked this land. So says everyone from Geoffrey of Monmouth to William Blake. This ancient threat is stirring in the Wiltshire twilight, up on the chalk downs. Can Dan meet this new challenge when he can only find half-forgotten fairy tales to guide him? Will the other local supernatural inhabitants see him – or the giant – as friend or foe?
A modern fantasy rooted in the ancient myths and folklore of the British Isles.
Publication date is 28th September 2021, and you can contact Wizard’s Tower Press if you’re interested in an ebook review copy, and remember to state your preference for epub or mobi format. (We’re not offering paper ARCs, sorry.) Contact me if you’re interested in a guest blog post or an interview or something along those lines.
Ebook pre-orders are going up as we speak, and I’ll post links when the various retailers’ websites have sorted themselves out.
Paperbacks and hardbacks will be available for pre-order soon. If you’re going to be at FantasyCon in the UK, or at Bristolcon, you can collect a signed copy there – order those through Wizard’s Tower Press.
Did I mention the fabulous cover?
For all those wanting to know what’s next for Dan – and when – Wizard’s Tower Press is delighted to announce the next book in the Green Man series. With uncanny events in the Cambridgeshire Fens now resolved, will Daniel be able to get back to a quiet life as a carpenter, maybe enjoying a few weekends away with his girlfriend, Fin? Not a bit of it. As autumn deepens, there’s a new supernatural menace stirring down in Wessex. Dan will face, The Green Man’s Challenge…
All going well, the new book will be launched at FantasyCon in Birmingham over the weekend September 24-26. Meantime, we’re into the last few days of the ‘Green Man’ sale. The Green Man’s Foe ebook is 99p on Amazon UK until 31st May, and that’s been matched on other platforms & territories by Wizard’s Tower, with The Green Man’s Heir and The Green Man’s Silence reduced. That means new readers can get all three books for £8.97 as long as they buy before midnight on Monday.
Next, I have an honest to goodness in-person author event in the diary for June 12th! You can find me at Sunhill Park, North Somerset, BS21 7SZ at 3:30PM, as part of the Clevedon Literary Festival. I’ll be discussing fantasy fiction with Anna Smith Spark and John Llewellyn Probert. More details here – and the wonderful Books on the Hill will be there selling books. It really will be great to get out and see people!
July 15th will see this year’s anthologies from ZNB published. My story in The Modern Deity’s Guide to Surviving Humanity sees ancient Greek gods discovering the Internet and social media. The other 2021 titles are ‘Derelict‘ and ‘When Worlds Collide‘, and as you would expect by now, all three collections have a stellar roster of established and new writers. You can get preorders in with your online retailer of choice.
What else have I been doing? I’ve returned to the Aldabreshin Archipelago, believe it or not, to write the fourth of the short stories I started absolutely years ago, to go alongside the Aldabreshin Compass series. There’ll be more news about that in due course.
Last but by no means least, me and mine continue to keep well, and I hope the same is so for all of you.