They say three things make a post, so here goes.
Firstly, I’m involved in another Kickstarter, though in a different role this time. Prospective Press is an inclusive, pro-diversity, feminist-friendly, queer-welcoming, and #ownvoices-embracing publishing house. Jason Graves is the series editor of their Off the Beaten Path paranormal anthologies, Tales from the Old Black Ambulance, and the Concrete Dreams series of urban fantasies. Jason has invited me to write a foreword to the next Concrete Dreams anthology – Fiendish and the Divine. These stories will explore the intersections of what we think we know and what is undiscovered, the prejudices of the past and the startling newness of fresh perspectives. In these pages, you will meet gods, real and imagined; dragons of air and earth; beings alien to our world, with indecipherable intent; and monsters, some human, some not…
Secondly, I’ve mentioned a few times this year that I’ve written a novella for a shared world project. Now all can be revealed! So far Adrian Tchaikovsky and Justina Robson have each written a novel for Rebellion Publishing, set in a fantasy realm that’s recently seen a dark lord overthrown. The series title is After The War, and the novels so far are Redemption’s Blade, and After the Fire. Now there are The Tales of Catt and Fisher, a collection of four novellas by me, Adrian, Freda Warrington and K T Davies, to be published on 3rd December 2020. These two characters from the novels are scholars, shopkeepers, collectors, obtainers of rare antiquities … who can’t resist a lead, even when it takes them into terrible danger. There’s always an opportunity to be found amid the confusion, in the wake of the terrible Kinslayer War. There’s always a deal to be done, a tomb to open, a precious thing to… obtain.
This project was a lot of fun to write for, and I really enjoyed getting back to some epic fantasy. There was plenty of leeway for inventing new aspects and elements to expand on the existing scenario created by Adrian and Justina. Reading the books have already written in this world, I found a handful of lines here and there which added up to something very interesting indeed, when I summoned up my inner GM…
Third and last, but by no means least, I’ve written a guest blog post for my good friend and fine writer, Sarah Ash. I’ve been thinking a lot about mythology lately, and our relationships with folklore, old and new. We had a particularly interesting discussion about these things online at this year’s Octocon, so I welcomed the opportunity to explore this in an article.
So that’s all the latest from me. Have a good weekend!
I was talking to one of my sons, and I commented that life felt stuck in an endless holding pattern these days. He likened it to treading water, and the more I think about that, the more apt it feels. Repetitive activity that gets tiring without actually moving on, and no sense of solid ground under your feet.
Thank goodness for things to break up the monotony!
First up, the Irish National SF Convention Octocon is happening online this weekend. Participation is free and should be a lot of fun! At 1pm on Saturday, you can join me and other writers discussing the uses of myth in our work and I’ll also be doing a reading at 4.30 pm on Saturday. You can see how much longer my hair is now…
Next week, the 15th October, sees the publication of my alter-ego’s third murder mystery set in classical Athens. Philocles is looking forward to the Great Panathenaia – until one of the poets due to take part in the dramatic performance of Homer’s Iliad is brutally murdered. The authorities want this cleared up quickly and quietly. Philocles finds himself on the trail of a killer once more…
You can find out more here, including preorder links. If you do NetGalley, you can find it there.
In other unsurprising news, publication dates and acquisitions continue to be delayed and pushed back as the book trade continues to try to navigate the current chaos with varying consequences for writers. Those books that do reach the shops – bricks and mortar or online – have to compete in a scrum where the big names and lead titles are getting pretty much all the promotion and shelf space. I think we’re going to see the shift to independent and smaller press publishing accelerate, with greater online engagement direct between writers and readers. I’m seeing more Patreons and Kickstarters appear, alongside a growing realisation from fans that these are an increasingly good way to get the books they want.
As for my own work, The Green Man’s Silence is selling well, and gathering very good ratings and reviews. I’m extremely grateful to everyone who is sharing their enthusiasm for this, and the previous books. Thank you all. I am getting some ideas together for Dan’s next adventure… and I have a couple of short fiction pieces to write, as well as a few other things to do. Then there’s the shared world novella I wrote earlier this year – as soon as I have a release date, I’ll share it.
I’m also amused by a recent review of The Green Man’s Foe, where the reader includes the very minor spoiler that THE DOG DOESN’T DIE. To be clear here, I’m not making fun – when these things matter to a reader, they matter, and it’s not for anyone else to say they should feel different. Thankfully, this reader enjoyed the book, even though they found their concern over the dog’s fate distracting. All I can say is, hand on heart, it never occurred to me to put the dog in danger!
Hopefully you’ll have noticed that the excellent small press ZNB (Zombies Need Brains) are running a Kickstarter to fund three new anthologies, titled THE MODERN DEITY’S GUIDE TO SURVIVING HUMANITY, DERELICT, and WHEN WORLDS COLLIDE, containing approximately 14 all-original (no reprint) short stories each from established SF&F authors in the field and new voices found through an open call. The fundraising is going well, so we can hope to reach some stretch goals. Do check it out!
Regular readers will know that I’m a regular contributor to these projects, sometimes as an invited author, sometimes through submitting to the open call. The thing is though, I’m really not a natural short story writer…
A great many authors will tell you they have an instinctive length when it comes to writing. That can be novel, novella or short story. It’s the sweet spot for their imagination, where ideas come together most effectively. For me, that’s most definitely the novel. It has been said, with perfect justification, that my early short stories read like excerpts from a longer work.
So that’s the first thing. I want to improve my skills in this particular area. Short stories, in anthologies and as standalones are having a resurgence just at the moment. That’s thanks to the ease of digital downloads, a smartphone in every pocket or bag, and the way short-form fiction is ideal for a commute. That makes the short story an ideal way to introduce readers to my writing, so if they like it, they can look up my novels. But it has to be a good short story, and that’s why I always want feedback from professional editors so I can learn how to create my very best work. I get that advice from ZNB projects, without fear or favour! That advice doesn’t only help my short stories. Learning more about the differences between different forms of fiction hones my novel writing as well.
The second thing? Ask any author where they get their ideas from, and they’ll tell you lack of ideas is never the problem. The challenge is knowing what to do with them. My wide-ranging research reading turns up a whole lot of interesting possibilities which are often nowhere near novel-length material. Short stories offer me the chance to get these intriguing tales onto the page. My story for last year’s Alternate Peace anthology is a case in point. I’d read Bill Bryson’s book on the remarkable summer of 1927, and quite some while later read a much less amusing book on the ‘Spanish Flu’ of 1918-1919. These books had nothing to do with each other at first glance, but that’s not how this works. If I put together that piece of information from one book and a passing footnote from the other, as well as a few more ‘what if?’ possibilities from both, I got an intriguing idea… I wasn’t sure it would make a novel though, and in any case, my other writing commitments would make that impossible. But this idea was ideally suited to this collection’s theme.
Thirdly, you never know where a short story will take you as a writer. Before ZNB was born, Joshua Palmatier and Patricia Bray edited a couple of anthologies for the US publisher DAW. One was The Modern Fae’s Guide to Surviving Humanity where I found I had an entertaining idea about dryads in the English countryside facing a road being built through their oak grove. There’s a passing reference in that story to dryads having sons with mortal fathers. I didn’t think much about it at the time. I did find myself thinking about it later though. Long story short? That did turn into a novel-length idea, and that was The Green Man’s Heir, followed by The Green Man’s Foe. Next month will see The Green Man’s Silence published by Wizard’s Tower Press.
So these are three of the things that writing short stories offers me as a novelist. Why not see what these projects can offer you as a writer – and a reader, obviously.
Ten minutes with… is a special series presented by Coode Street with Gary K. Wolfe and Jonathan Strahan that sees readers and booklovers from around the world talk about what they’re reading right now and what’s getting them through these difficult times.
Legendary fan, publisher, and critic Cheryl Morgan talks with Gary about some favourite new and forthcoming books; the comfort in watching classic TV and movies; watching Doom Patrol and Black Panther; Sam Jordison and Galley Beggar Press; her own fanzine Salon Futura and Wizard’s Tower Press, and being a sensitivity reader for trans characters and issues.
Books mentioned include:
• The Sunken Land Begins to Rise Again by M. John Harrison
• The Empress of Salt and Fortune by Nghi Vo
• Mordew by Alex Pheby
• The Green Man’s Heir and The Green Man’s Foe by Juliet E McKenna
• The Tales of Einarinn series by Juliet E. McKenna
• The Aldabreshin Compass series by Juliet E. McKenna
• untitled forthcoming collection by Aleksandar Žiljak
This year’s Kickstarter will fund three science fiction and fantasy anthologies, titled THE MODERN DEITY’S GUIDE TO SURVIVING HUMANITY, DERELICT, and WHEN WORLDS COLLIDE, containing approximately 14 all-original (no reprint) short stories each from established SF&F authors and new voices found through an open call. Backers will essentially be generating the funds to produce these anthologies—payment for the contributing authors, for the cover artist, production costs etc. So the reward levels have been set to more closely resemble the cost of the final product when it goes on sale to the general public. In essence, backers are preordering the anthologies.
If you think you might have story idea, read on…
THE MODERN DEITY’S GUIDE TO SURVIVING HUMANITY
This is the anthology I hope to be writing for. In a follow-up to THE MODERN FAE’S GUIDE TO SURVIVING HUMANITY, we switch our attention to the deities of old. Is Narcissus an Instagram influencer? Is Coyote playing the stock market? Does Ra own a solar panel company? Was Dr. Ruth really Venus? These authors will explore how the immortals have changed with the times.
- Alma Alexander (Freyja: Nordic),
- David Farland (Woden/Odin: German),
- Tanya Huff (Hera: Greek),
- Juliet E. McKenna (Nemesis/Themis: Greek),
- Phyllis Irene Radford (Anshar/Tiamet: Babylonian),
- Laura Resnick (assorted),
- Kari Sperring (Cigfa, Goewin, Gwydion: Welsh),
- Jean Marie Ward (Dionysus: Greek), and
- Edward Willett (Ninkasi: Sumerian)
No one can resist the mystery of the abandoned ship, whether it’s the ghost ship afloat in the Bermuda Triangle or the spaceship drifting in the depths of space. What happened to the crew? What horror forced them to abandon their vessel and flee…or are they still on board, trapped or even dead? These authors will explore the possibilities.
- Jacey Bedford,
- Alex Bledsoe,
- Gerald Brandt,
- Julie E. Czerneda,
- Kate Elliott,
- John G. Hemry/Jack Campbell,
- D.B. Jackson,
- Gini Koch,
- Sharon Lee & Steve Miller, and
- Kristine Smith
WHEN WORLDS COLLIDE:
Throughout history, different cultures have collided, whether it be the peaceful contact between Rome and Han China in the second century that established the Silk Road, or the more violent interactions between Europe and the Americas thirteen hundred years later. Such first contact stories have long been a staple of speculative fiction, and these authors will explore the myriad ways in which two cultures—alien or fae, machine or human—can clash. Will the colliding societies manage to peacefully coexist after they finally meet? Or will they embark instead on a path of mutual self-destruction?
- S.C. Butler,
- Esther Friesner,
- Auston Habershaw,
- Steven Harper,
- Nancy Holzner,
- Howard Andrew Jones,
- Stephen Leigh,
- Violette Malan, and
- Alan Smale
Regular readers won’t be surprised to learn that I’ll be part of the @ZNBLLC Kickstarter for three new anthologies this year. I’ve had stories in four of these collections so far, as well as two earlier projects from this team. Sometimes that’s been as an invited author, sometimes I’ve gone through submission because I had an idea that was too much fun not to write. That’s the thing about these projects – they’re always full of intriguing possibilities.
That makes for great collections of stories and excellent value for readers at the entry levels. For those of you looking for something extra, there are a whole range of bonus reward levels. I’m offering assorted books and a couple of Tuckerisations (your name for a character in my story). There will be more detail on each theme soon, but for now, readers aware of my alter ego’s mystery novels set in Ancient Greece will not be surprised to lean that I’ll be writing a story for the ‘Deities’ anthology – as long as the Kickstarter funds.
Alongside the designated authors anchoring each book, there is always an an open call for submissions offering first rate editorial advice as well as professional rates of pay for the stories that make the cut. ZNB are also very keen to offer debut publication opportunities. Any SFF writers starting out should definitely go and take a look.
The project goes live later today. Meantime, you can click on the ‘Notify me on launch’ button here.
When I was asked to offer a story* for this digital anthology, I immediately said yes. So did a whole lot of other writers, making this an outstanding collection of quality short fiction. All proceeds are being donated to support NHS staff and other healthcare workers.
So for £5.99 you get 53 stories, 253,000 words of fiction, including several pieces that are original to this volume, featuring some of the finest writers of science fiction, literary fiction, fantasy, horror, and more. Click here to buy it
Boost the signal! Spread the word! And raise a cheer for Ian Whates of Newcon Press, and those who helped him, for doing an amazing job so quickly.
* I opted for The Sphere, previously published in the 2016 ZNB anthology Alien Artifacts
There’s been a flurry of SF&F authors having a look in the back cupboards of their hard drives this week, to see what stories they could make available for free. We know a lot of readers have time on their hands just at the moment, but we are also well aware that they may be finding themselves uncertain as to prospects for their bank balance and bills for the next however-long.
With the always invaluable assistance of Cheryl at Wizard’s Tower Press, and artist Ben Baldwin, I’m offering up The Wizard’s Coming, a short story that stands alone, and as such, should give a good introduction to my style and my approach to epic fantasy. In the overall chronology of my successive epic fantasy series, it sits between The Lescari Revolution trilogy and The Hadrumal Crisis trilogy, so there’s added interest if you’ve read those books.
Looking forward, Cheryl and I are also working on making some Aldabreshin Compass short fiction available as ebook singles. Details to follow in due course.
Meantime, happy reading, and hoping you and yours are well.
I’ve been pals with multi-faceted writer Steven Savile for years now, so when he asked if I might be interested in doing an event in Sweden, naturally I said yes. A little while later, Jan Smedh of The English Bookshop in Uppsala got in touch to invite me to the evening he was organising for the city’s annual Culture Night. When everything was finalised, we had a mini-SF-Crime convention, with me, Steve, Stephen Gallagher and RJ Barker being interviewed together by way of an introduction, followed by us discussing crime fiction and then a session on fantasy fiction, since one way and another, we’ve all written across both genres. There were intervals for book signing, and to give fans of one genre or the other to come and go as they felt inclined – not least because there were so many other events going on. The city was packed all day.
Now, I’ve only ever met Stephen Gallagher on a handshake-and-hello basis before, and never crossed paths with RJ Barker, but once we met up on Friday, it soon became apparent that Saturday evening would go with a swing, as we chatted about what we write and what we read. That’s exactly how it turned out, as we had different things to say as well as enough interests in common to generate really interesting conversations. We were also made wonderfully welcome by Jan, his wife, and the bookshop staff, as well as by Uppsala’s SF and Fantasy fans. Feeling so at ease made Saturday evening even more fun, and the time simply flew by. The audience certainly seemed to enjoy themselves as much as we did.
Those of you who couldn’t make it will get a flavour of the event in a little while, as Stephen, RJ and I were all interviewed on video by Magnus, another of our new friends, earlier in the day. We did that on the deck of the floating hotel Selma, where we were staying, moored on the river. I’ll post links in due course. Those of you who travel to European conventions should also note that Uppsala fandom are putting in a bid to run the 2023 Eurocon – follow @Uppsala2023 on Twitter to keep in touch with their progress.
Before that – yes, we really did make the most of our time – Jan had arranged for us to have a short introduction to the city’s history and a guided tour of Uppsala Cathedral with a brief visit to the museum now housed in one of the original University buildings. The cathedral is beautiful and full of fascinating memorials and stories – and something of more personal interest. Thanks to local Swedish fan Jonathan, who I first met at the Worldcon in Dublin, I knew to keep a look out for the Green Man carved on a pillar capital as we went round. I could go on and on, but I’d be writing this all day if I attempted a full recap. Put Uppsala on your own holiday destination list, that’s the best idea. Seriously. There are great places to eat as well as everything else to see in the city.
The museum was equally enthralling, and has one of the most ornate and astonishing examples of a Cabinet of Curiosities in the world – the Augsburg Art Cabinet. Other treasures include the original prototype Celsius thermometer. Carl Linnaeus is by no means the only globally renowned scientist that the university is rightly proud of. Mind you, the students Linnaeus sent out worldwide to collect his samples often came to an unexpected and early end… Of course, as authors, we love this sort of thing, so I suspect echoes of our trip will appear in all our writing one way or another over the next little while.
So that was Saturday, and on Sunday morning, Steve, Stephen and I took a train to Stockholm to walk around and get a flavour of the city, old and new, before it was time to head for the airport and our flights home. Now I must find time to rewatch my DVDs of the original Swedish TV series adapting the Millenium trilogy (The Girl with the Dragon Tattoo etc.) and see what I can see differently.
But now I must get some work done today. Still, I know that will come all the easier after a trip like this. Not only did we see countless things to fire the imagination, but meeting keen readers and enjoying so many varied conversations always inspires me to do my very best for the people who I ultimately write for.
Today’s the official publication date for Brightfall by Jamie Lee Moyer, and I was lucky enough to get an advance reading copy of this intriguing and engaging book. Though I approached it with a degree of … reservation, I suppose is the best word. Even experienced writers are setting themselves a high bar when it comes to finding an original and unexpected perspective on a myth as well-known and as oft-told as Robin Hood. Moyer more than succeeds in this, and does a whole lot of other interesting things with this story as well.
We see events from Maid Marian’s perspective, and an older Marian at that. The days of high adventure in the greenwood are long behind her and all the Merry Men. Marian is now raising Robin’s children on her own, and not by her own choice. Robin has retreated to a monastery, to atone for his sins. This is the first of many sideways glances the story takes at the notions and conventions of heroism in old-fashioned tales – as well as too many modern ones. Robin’s solitary self-sacrifice has serious costs for other people. The flip-side of that heroic coin is plain selfishness, and his retreat soon looks a lot like cowardice.
Marian copes because she has no choice, and because she has a community to support her. Not just the erstwhile and no longer so merry men, but also the wild animals and faery folk of the forest. It turns out she has unexpected resources to draw on, and no need to conform to heroic story expectations of damsels in distress. However, it’s increasingly apparent that her friends and family are under threat. Tackling this menace means finding Robin and making him face up to his past and his present. Other people’s stories don’t end just because he wants to lay down his sword/bow and walk away. Now Marian must find other ways of dealing with this danger besides picking up those weapons herself.
All this plays out in a vivid and immersive setting that’s somewhere uniquely effective between well-researched medieval historical accuracy and the world of Robin Hood as seen in old British folklore instead of more recent film and TV portrayals. The fabulous cover art evokes this wonderfully, as it mirrors those old fashioned, pictorial maps that show both the practical detail of towns, roads and rivers as well as an artistic, atmospheric portrayal of a living world.
Highly recommended reading.