One of the many interesting things about writing for an anthology is encountering new-to-me authors’ work, and thanks to the wonders of the Internet, getting to know those authors themselves. Here are some interesting thoughts and observations from Dan Jones on his own path to having a story in the new Journeys anthology.
Dan Jones on his “Journeys” story – and the importance of the one before that…
When Woodbridge Press announced their open call for their forthcoming fantasy anthology Journeys, back in Spring 2016, I was immediately hooked. A stellar line-up had already been secured, including such illuminaries of the genre as Julia Knight, Adrian Tchaikovsky, John Gwynne and Gail Z. Martin – not to mention our esteemed editor Teresa Edgerton – and so I decided I would apply.
My successful submission to Journeys capped off an interesting learning experience: I had just come off the back of a rejection from Woodbridge for their previous call for submissions for the excellent Explorations: First Contact, for which I’d submitted a short story that was ultimately rejected for being not mainstream enough for the collection.
It’s highly tempting for us writers to sometimes get lost in our art, to spend so long considering the deep thematic resonance, the recurring motifs, the profound messages that occasionally we forget such fundamentals as a compelling plot and interesting characters; I am definitely guilty of sometimes getting a bit overexcited about form and structure, and it came back to bite me with that particular rejection.
For the next call, I cast aside my pretences, and for Journeys I decided to write a simple, rollicking adventure story, and it got accepted. It’s a worthwhile thing to remember: know your audience, write for your audience, and keep it simple.
Well, at least start simple, and then add the flourishes when you have the basics in place. My Journeys story, A Warm Heart, started with a very simple premise; a world-weary assassin-in-training, Tarqvist, is unwillingly joined by an unexpected companion on his first assignment, a wise-cracking, annoying and arrogant young girl he calls Nobody. From this simple set-up almost anything is possible, and it was liberating to consider all the fun things, like theme and structure, once the initial foundations were sound.
Conversely, if I think back to the story that was rejected for Explorations, I was more interested in establishing the structure first – a non-linear sequence of dream-like scenarios – and only applied plot and character afterwards, and it must have showed. It’s a well-known trope among writers that there really are only a small and finite number of plots (Christopher Booker famously posited that there are in fact only seven), so it stands to reason that establishing your plot (and the characters who will travel along that plotline) should be the first thing to get right before one starts dabbling in the trickier arts of form, structure and theme.
I’m super grateful for that rejection, as it taught me a valuable lesson and helped shape the story that now sits inside this superb collection of stories and authors, which I’m proud and exhilarated to be a part of. What’s more, it’s one of a handful of books I’ll be having published this year, including my debut novel, Man O’War, to be published by Snowbooks in October, so it’s a grand start to the year for me personally.
It’s fitting that the theme for the collection is Journeys, as I feel as though I’ve been on my own mini-quest in getting here, just as have all the other authors, I’m sure. We’re all journeymen in this business, you know.
Dan Jones is a science fiction and fantasy writer, but when not writing he works for the UK Space Agency on a space robotics technology programme, which comes in rather handy for coming up with new story ideas. His debut novel, Man O’War, will be published in October 2017 by Snowbooks.