J. Kathleen Cheney has invited fellow writers to tell all about research rabbit holes we’ve fallen into. That is one of the biggest hazards of world-building. Here’s my post about research going to the dogs… and do check out the rest of the blog series 🙂
Regular readers will recall my ire last week at the gender skew in the BBC’s most recent programme on fantasy fiction. One female author who got no more than a nano-second name-check when she deserves so much more is Susan Cooper. Happily, here’s an excellent interview with her, discussing Writing the Dark.
Wizard’s Tower Press is always keen to see a broader range of authors writing SF&F. Cheryl Morgan has launched a Kickstarter with a view to publishing an anthology of science fiction and fantasy stories by writers from Bristol and the Caribbean. With pirates, obviously. There are some stellar names attached already, and a range of rewards and pledge levels (including the offer of the Aldabreshin Compass ebook series) so do go and have a look!
Further to booktrade and equality issues, this week, The Bookseller tells us that UK publishing seeks to address the industry’s lack of diversity. Here’s hoping.
For insights into wider issues around equality and cases where people end up at odds over questions of gender, religion and sexual orientation, I heartily recommend anything and everything that Baroness Hale, the UK’s pre-eminent female lawyer has to say. Specifically, the lecture she gave in Oxford this week which is available to watch here. (She starts talking around eight and a half minutes in, for those who wish to skip the preambles).
As well as attending that lecture, I also went to a talk by Mary Beard in Oxford this week, though as far as I am aware that’s not available online. You will not be surprised to learn that she’s as entertaining in person as she is on the telly, giving an intriguing and illuminating lecture on “Images of Roman Emperors from the Ancient World to the Modern: Understandings and Misunderstandings”. This relates to an ongoing research project which looks set to uncover some fascinating stuff. Because, for example, if you think Henry VIII is saying something about kingship by using Suetonius’ twelve Caesars in his palace decor, what does it mean when you realise he’s actually drawing on a very different piece of ancient writing? What’s the underlying message then? I really do hope this project makes it onto our screens somehow.
I think that’s enough to be going on with. 🙂