By the end of The Swordsman’s Oath, it was apparent that now the initial mystery of those eerie artefacts had been solved, people were going to want to know a lot more about the ancient magic, Artifice, which had created them. People meaning both readers and the characters in this unfolding narrative; the Archmage and the Tormalin nobility in particular. Livak certainly wouldn’t pass up the chance for whatever profit was to be made doing this. Ryshad on the other hand, would surely be recalled to serve his sworn master’s interests. Was there a way they could do both together? Or would it be more interesting to have them go their separate ways, not least to discover whether the lure of their former lives would be stronger than their attraction to each other? I decided that would be much more interesting, for the readers and for me as a writer.
So where would Livak find some ancient lore that learned wizards and scholars in a mighty prince’s pay would overlook? One thing that’s long interested me is the way odd fragments of knowledge are carried down through the generations in oral traditions, from Homer to English folk songs. Since I’d already mentioned Livak’s father was a travelling minstrel, that was a plausible thing for her to notice – while mages and Tormalin archivists would doubtless dismiss the idea as readily as former generations of Oxford dons. Furthermore, this would give me an opportunity to look more closely at the Forest Folk, to challenge some unrealistic conventions of epic fantasy about merry life in the greenwood, and to explore Livak’s relationship with her father’s people. Would she be accepted if she found them, or was she going to be caught between the two sides of her heritage, neither one nor the other?
Would she set out on this quest alone? Hardly. While Livak is determinedly independent, she has never been a loner, relying on a network of friends and allies across Einarinn. So who would she call on now that Halice isn’t at her side? The obvious choice was Sorgrad and his brother Sorgren (commonly called ‘Gren to avoid confusion and a lifelong lesson to authors not to give characters inconveniently similar names in a throwaway line in a debut novel). For one thing, as Mountain Men themselves, they would be the ideal people to introduce her to the upland culture. For another, exploring why the two of them had left their homeland behind would add another level to this story.
They’re also interesting characters in themselves, and yes, like Livak herself, Sorgrad and ‘Gren had been adventuring in our D&D group long before The Thief’s Gamble was written. My husband Steve played them both with a cheerful amorality which I’m thankful to say he keeps strictly for the gaming table. He and I had a good many long conversations about adapting those characters into the far more complex personalities required for a book. As we did so, I realised the brothers offered me the chance to look at male heroes from a sideways perspective, in much the same way that I was reimagining female roles in epic fantasy through Livak. They are mercenaries, so let’s look at all the implications of that lifestyle. Sorgrad enjoys making money by whatever means necessary while Gren genuinely relishes the violence that goes with robbery and dishonesty. When push comes to shove, they can both be utterly ruthless. That’s not very nice, is it? So how come they’re friends with Livak? It’s because on a personal level, they are great company, loyal allies and skilled fighters. Exploring those tensions in the notion of an epic hero (and Livak’s blind spots about her friends) offered all sorts of possibilities.
So far, so good, but I still didn’t think that would take this story far enough. What more did it need? Well, conflict is the essence of drama but setting up someone to oppose Livak’s new quest directly would essentially repeat the plot of The Thief’s Gamble. Okay, what else could I pull out of the Big Bag of Writerly Inspiration? How about the tragedy of good men in opposition? That was a useful starting point but I’d just been writing from a good man’s point of view in The Swordsman’s Oath, and I already knew I’d be doing that again in The Warrior’s Bond. Besides, looking at Sorgrad and ‘Gren got me thinking about contradictory characters. How about considering an epic fantasy hero who really had feet of clay? A man leading an unquestionably noble cause whose personal character is reprehensible? Enter Jeirran, who divides opinion among my readers more sharply than any other individual in my writing…
Weaving Livak’s quest into the inherent conflict between uplanders and lowlanders with very different aspirations gave me exactly what this story needed – especially once I’d added in this new (old) magic. I’d already established how the Archmage’s authority governs elemental magic. With this story focusing on aetheric magic’s potential, now I could explore this very different power’s potential uses, the restrictions on its use and how and why someone might be tempted to abuse such enchantments… and what happens then…
Okay, that’s about as far as I can go without risking spoilers for new readers – and it’s about as much as I can recall of my thinking back in 1999 when I was actually writing this story. Now I’m eager to learn what those coming new to the tale make of it!
So head on over to Wizard’s Tower Books to buy it in your preferred format, DRM-free Purchasing for Kindle, Nook etc will come online in a few days.