For the moment, this is the last of these stories, though as readers who’ve followed Dyal’s adventures will be well aware, this cannot be the end of his story. I know what happens next, and aim to find time to write that tale later this year.
At the moment, my Work diary is full! As of close of play yesterday, I’ve written 194231 words of original fiction since 2nd January this year, spread over one novel, completed in draft and with its editor, one novella ditto, and a second novel that’s due for delivery at the end of June and is currently about three quarters of the way to a finished draft.
I hope to take a few days off at the start of July, before I tackle the editor’s feedback on The Green Man’s Silence…
Dyal has learned secrets that the warlord’s family would prefer not to share. That means he must be drawn into the domain ruler’s inner circle, whether he likes it or not. What use can the young swordsman be? Now he finds himself trusted as a courier – and sent into fresh danger…
Revisiting your own work is a curious experience for a writer, in my experience at least. When you’re working on a book, from first outline to final page proofs, that’s pretty much all you think about. You have every detail at your fingertips. You know the story inside out. You’ve been living with these characters for however long the work’s been in progress. Then quite suddenly, that’s done, and you move on to the next thing. This new story may or may not involve the same characters, but regardless, it’s a new adventure full of fresh challenges for you as a writer. As it fills your thoughts, it’s surprising how quickly the fine detail of earlier books fades from your memory. You’ll recall the broad strokes, obviously, but not the line-by-line. By the time I was on the third, fourth and fifth book of The Tales of Einarinn, my reference copies of the earlier volumes bristled with Post-It tags so I could find descriptions and incidents I needed to refer back to. Thank goodness for electronic versions and search boxes these days.
I revisited The Aldabreshin Compass books in 2015, when I was proof-reading the text we’d prepared for the new digital editions from Wizard’s Tower Press. This was the first time I’d really engaged with these stories and characters since Eastern Tide was published in 2006. I’m pleased to say I thoroughly enjoyed the process. The books held up well for me as an author, and as a reader, I found the story really exciting! At a couple of points, I genuinely caught myself wondering what’s going to happen next?! I knew the situation, whatever it was, would be resolved, but I had honestly forgotten exactly how?
Perhaps it’s because I was engaging with these books at least as much as a reader this time around that I began to see other things. There’s a young soldier who falls off a battlement in the first book, Southern Fire. As the writer, I hadn’t given him a second thought, because my focus was on Daish Kheda, the warlord whose personal journey drives the narrative of this whole series. As a reader though, now I kept wondering what had happened to that young man who had disappeared into the darkness…?
As I read the following books, I found I had other questions. Kheda goes on his journey, but life at the home he has left goes on without him. Some of the consequences of this become apparent, as other people’s paths cross his own, but as a writer, my focus always stayed with his story. As a reader though, I found I wanted to know more of what had gone on without him. What lay behind the choices and decisions made by the people he had left behind…?
I am a writer first and foremost. That said, I’ve always found inspiration in the questions keen readers have asked me. Now that I was the curious reader, these questions just wouldn’t go away. Ideas stirred. In between other projects, I began writing a series of linked short stories that sit between the volumes of The Aldabreshin Compass. These can be read on their own, as well as offering added depth and insights for those who’ve read the Compass sequence.
So I started with that fateful night when Daish Kheda was so treacherously attacked, and his faithful retainers risked their lives to defend him. You can find the free ebook here, along with other free reading from Wizard’s Tower Press, and the ‘Colinthology’ which raises money to support Bristol hospitals.
When I was asked to offer a story* for this digital anthology, I immediately said yes. So did a whole lot of other writers, making this an outstanding collection of quality short fiction. All proceeds are being donated to support NHS staff and other healthcare workers.
So for £5.99 you get 53 stories, 253,000 words of fiction, including several pieces that are original to this volume, featuring some of the finest writers of science fiction, literary fiction, fantasy, horror, and more. Click here to buy it
Boost the signal! Spread the word! And raise a cheer for Ian Whates of Newcon Press, and those who helped him, for doing an amazing job so quickly.
* I opted for The Sphere, previously published in the 2016 ZNB anthology Alien Artifacts
Good morning, and here’s some good news. The Green Man’s Heir is a Kindle Daily Deal in the UK (and depending where you are based, it may show up cheap on the US store). To celebrate the offer, Wizard’s Tower Press and I have also temporarily dropped the price of The Green Man’s Foe worldwide. So that’s both ebooks for around the price of a fancy cup of coffee today – which you won’t be buying anyway just at the moment.
This means everyone can get nicely caught up with Dan’s adventures, before reading The Green Man’s Silence, coming this summer from Wizard’s Tower Press. Dan’s in the Fens, in the east of England. It’s a part of the country he’s never visited before, so everything’s unfamiliar, from the roads and rivers raised up above the black peaty fields that surround them, to the supernatural creatures that live there. One thing he soon notices is the lack of oak trees. He’s going to need help from elsewhere to solve the complex challenge he faces.
So boost the signal, spread the word and tell your friends! And if you’ve already read both books and enjoyed them, remember that leaving a review or rating however brief on your preferred website will help the team bringing you these stories long after this offer’s done. Thank you kindly.
There’s been a flurry of SF&F authors having a look in the back cupboards of their hard drives this week, to see what stories they could make available for free. We know a lot of readers have time on their hands just at the moment, but we are also well aware that they may be finding themselves uncertain as to prospects for their bank balance and bills for the next however-long.
With the always invaluable assistance of Cheryl at Wizard’s Tower Press, and artist Ben Baldwin, I’m offering up The Wizard’s Coming, a short story that stands alone, and as such, should give a good introduction to my style and my approach to epic fantasy. In the overall chronology of my successive epic fantasy series, it sits between The Lescari Revolution trilogy and The Hadrumal Crisis trilogy, so there’s added interest if you’ve read those books.
How’s this for a shelfie? I am thrilled to show you the new editions now available from Wizard’s Tower Press. We’ve been working on this for a while now, around our other commitments, and the plan was a (re)launch at this year’s UK Eastercon. So much for that… but hey, that means we can make them available a few weeks earlier now. So spread the word! All signal boosting will be very much appreciated.
We’ve given the source texts a thorough proof read – and then gone over them again. I printed them all out and sat down with a ruler and red pen to go over them the old school way, to check the formatting etc. Having done that we’ve also taken the opportunity to update the ebook versions to catch any remaining glitches, and to share the new cover design by Ben Baldwin, using Geoff Taylor‘s original artwork.
But wait, there’s more! Hardback versions are also in the pipeline – with an added bonus that you’ll find out about soon. So those of you who like a physical book rather than digital will have your choice of formats. One reason for doing this is conversations with readers who have been keen to have their own copies for their bookshelf – as well as chatting to second-hand booksellers who tell me how hard it is to find copies of my early books. Apparently readers who’ve bought them hang on to them – which I am naturally delighted to learn.
And finally… we’re taking the opportunity of this forced hiatus to put together some other things that we’ve had in the ‘when we get around to it’ folder for a while now. Not that Cheryl or I are short of other things to do. As freelancers who both work mostly from home, we’re already set up for remote working so a lot of that side of life is carrying on as usual for us. Anyway, there’ll be more news about what we’re up to in due course.
I’m off on a mini adventure this weekend, joining authors Steven Savile, Stephen Gallagher and R J Barker at The English Bookshop, Uppsala, Sweden on Saturday 14th September for an evening discussing writing crime novels and fantasy fiction, from 6 pm onwards. I’ve never been to Sweden, so I’m really looking forward to the whole trip.
After getting back on Sunday, I’m on the road to Bristol to take part in the Bristolcon Fringe on Monday evening, September 16th. Alongside Rosie Oliver, I’ll be reading and chatting, from 7:30pm in the function room of The Gryphon (41 Colston St, Bristol BS1 5AP). Doors open at 7.00.
Next up, I’m heading for Scotland and FantasyCon 2019, to be held in the Golden Jubilee Conference Hotel, in Clydebank, Glasgow from 18th to 20th October. Among other things, The Green Man’s Heir is shortlisted for this year’s Best Fantasy Novel Award which is an honour in itself. Programme details will follow in due course.
Then I’m back to Bristol for Bristolcon itself, on 26th October at the Hilton DoubleTree Hotel, Bristol. The Guests of Honour are authors Diane Duane and Gareth L. Powell, and artist Andy Bigwood. It promises to be a great day – as always.
So hopefully our paths will cross somewhere – and my fabulous publisher Cheryl Morgan is making sure that my Wizard’s Tower Press titles will be on sale at all these events.
Firstly, I am very pleased to confirm that there will soon be an audiobook edition of The Green Man’s Foe. I’ll share the release date when I have it.
Secondly, for those of you who will be at the Dublin 2019 Worldcon, there will be copies of both The Green Man’s Heir and the Green Man’s Foe for sale copies at Francesco Verso’s Future Fiction stall, which I think is #51 in the Dealers’ Room.
Third and lastly, we have another very positive advance reader’s verdict for your perusal over on The Middle Shelf – SF and Fantasy reviews blog.
” The Green Man’s Foe is the second in a fantasy series but you could dive into it without having read the first (though I recommend it!). It’s one of McKenna’s particular strength: she lets you catch up with ease. For those of you coming back to it, you’ll be delighted to know that Dan is back and in fine form, along with all the things that made The Green Man’s Heir so entertaining.”
I’m just back from a week away, and I’m currently dealing with the post-holiday admin pile up. While I do that, here’s what I’ll be doing in Dublin and when. It’s going to be a lot of fun!
Aug 2019, Thursday 15:00 – 15:50, Liffey Hall-2 (CCD)
you fancy a trip to a fantasy realm? Want to avoid stumbling into
Moria or falling off the edge of the Discworld? Our panel of authors
are here to help you by roleplaying as one of their characters and
trying to persuade you to travel to their fantasy worlds.
Aug 2019, Friday 13:00 – 13:50, Wicklow Hall-1 (CCD)
in 2013, Gollancz’s Twitter account made the claim that: ‘Epic
Fantasy is, by and large, crushingly conservative in its delivery,
its politics and its morality’. The question sparked a discussion
that is still relevant and ongoing. Is epic fantasy politically
conservative and, if so, what does this tell us about the genre?
lack of technological progress in fantasy
Aug 2019, Sunday 11:00 – 11:50, ECOCEM Room (CCD)
the cotton gin to the printing press, technology doesn’t seem to
advance in many fantasy worlds – despite hundreds of years of
history in which an industrial revolution could happen. Why doesn’t
it? Does magic replace the need for technology? What about the growth
of magic-powered technology within a fantasy world? What does it take
to get a little scientific progress?
islands: exploring Irish and British fandom
Aug 2019, Monday 11:00 – 11:50, Liffey Room-1 (CCD)
decades fans from Britain and Ireland have participated in and even
run each other’s cons. Has this created a shared British and Irish
con culture, or does each country have its unique traditions? And
have modern social media and travel options diminished or enhanced
our close ties?