The Green Man’s Foe and a Legacy

The Green Man’s Foe is published tomorrow and since I’m not taking a laptop to the Dublin 2019 Worldcon, I’m posting this today, before I travel to Ireland. I want to acknowledge the part that my first literary agent, Maggie Noach, played in this story. One of the underlying themes of this particular novel is the idea of legacy, good and bad, and that has a particular resonance for me, in the unusual way this novel has come to be written.

As well as representing my epic fantasy fiction, while I wrote The Tales of Einarinn, and The Aldabreshin Compass, Maggie encouraged me to take my writing in other directions. She knew and loved the Cotswolds where I live, and more than once, we discussed the sense of history and folklore that’s so embedded in the local woods and villages. I wrote a draft of a novel about a country house being turned into a hotel, and a visitor from London who gets drawn into its secrets, that may or may not include the supernatural.

We were discussing how to improve on that, when all of us who knew and admired Maggie were devastated by her untimely death on 2006. Over the next few years, in between other projects, I went back to the novel a few times, and tried a couple of different approaches. Somehow, whatever I ended up with was never quite right. Looking at the dates on the files on the hard drive, I see that I last revised it in 2010 before finally setting it aside.

The success of The Green Man’s Heir in 2018 meant a great many people were asking me hopefully about a sequel. I certainly wanted to write one, but what would it be about? Frankly, I was at a loss until quite suddenly one day, when we were on holiday in the Lake District and I wasn’t even thinking about work, I remembered those drafts were still tucked away in my computer archive. When we got home, I searched out the back ups and realised I had the detailed setting, background characters and a framework of events that I could use for a whole new story, where Daniel has no doubt about the supernatural threat to this country house hotel project.

Once I stared writing, everything came together in a way that my attempts to rework that early draft novel simply never had. I only wish that Maggie was still with us to see the end result. I have no doubt what she would say. This all goes to show that no writing is ever wasted. That is most definitely part of her legacy to me.

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