A writing opportunities round-up, for SF&F and non-genre projects.

I’m currently reading and writing about Mars, for the ‘Second Round’ anthology coming next year from ZNB. Don’t forget that the current ZNB anthologies have open submission slots and the deadline is 31st December. You can find the full guidelines here.

THE RAZOR’S EDGE is to feature science fiction or fantasy stories that explore the fine line between a rebel and an insurgent. It is a military science fiction and fantasy anthology. We are attempting to fill half of the anthology with science fiction stories, and half with fantasy stories. Stories featuring more interesting settings and twists on the typical themes will receive more attention than those that use standard tropes. In other words, we don’t want to see 100 stories dealing with the general fighting insurgents who joins their cause at the end. If we do, it’s likely that only one, at most, would be selected for the anthology. So be creative, choose something different, and use it in an unusual and unexpected way. We are looking for a range of tones, from humorous all the way up to dark.

GUILDS & GLAIVES is to feature sword & sorcery stories where a guild is featured somewhere in the story. So thieves, assassins, and dark magic, but with a guild or guilds incorporated into the story somehow. Obviously most such stories will be fantasy, but we are interested in science fiction takes on this theme. Stories featuring more interesting takes on the guilds, and twists on how they are integrated into the story, will receive more attention than those with the standard thieves guild or assassins guild. So be creative and use your guild in an unusual and unexpected way. We are looking for a range of tones, from humorous all the way up to dark.

SECOND ROUND: A RETURN TO THE URBAR is to feature stories where the time-traveling Urbar, first used in the anthology AFTER HOURS: TALES FROM THE URBAR, is a central part of the plot. The story may start in the bar, end in the bar, or be in the bar somewhere in the middle, but at some point a significant plot point must involve the Urbar. Stories featuring more interesting historical settings for the bar, and twists on how the bar is integrated into the story, will receive more attention than those with more standard uses of the bar, or where the bar is only incidental to the rest of the story. So be creative and use bar in an unusual and unexpected way, preferably in an unusual or unexpected era of history.

I’m also thinking how amazing it is that I can access real photos of Mars from my computer here in Oxfordshire thanks to the assorted probes and rovers sent all that way. And rewatching The Martian is going to count as research, right?

In other interesting projects looking for submissions from unpublished writers, I spotted this from Weidenfeld & Nicholson.

Hometown Tales aims to celebrate regional diversity by publishing voices from across the UK. Each book will feature work from two writers – one established and one previously unpublished, found through open submissions – both writing about the places they think of as home.

The first initiative of its kind to focus on regional diversity, Hometown Tales will provide a platform for new writers, helping them to launch the first step of their careers, edited and mentored by our team. The books will be published in paperback and ebook in June 2018

There’s a lot more information and full submission details here.

Then there’s The Mechanics’ Institute Review Issue 15 Call For Submissions. No, you don’t need to be a mechanic! Or to have any link with Birkbeck College where this is based.

The Mechanics’ is a literary print and ebook publication that aims to champion the short story as an art form, promoting diversity, inclusivity and opportunity while publishing new work of the highest possible standard. Thanks to funding from Arts Council England, The Mechanics’ has gone national, widening its reach to find and develop talent from throughout the country. We are looking for unpublished short stories of up to 6,000 words from both new and established authors. The deadline for submission is 5 p.m. on Friday 9 February 2018.

Once again, full details here.

It’s really encouraging to see opportunities like this out there!

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