A week to go to Eastercon and I’m thinking a decade ahead.

Those of you with any experience of con-running won’t be in the least surprised by my lack of posts here lately. For those of you who haven’t ever been involved in a convention committee, I can tell you that these past few weeks have been like trying to play a game of 3D chess while the Enterprise is under fire and taking evasive manoeuvres. Don’t misunderstand me, I’m not complaining. But busy doesn’t begin to describe it – since Christmas – for me and for the rest of the EightSquared Committee and Staff whose endeavours are absolutely heroic.

However I have just posted a very long piece on the EightSquaredCon blog. Because this past year has drawn my attention to the things which quite a few fans simply don’t know about conrunning. That’s no criticism, of conrunners or of fans. It’s just a fact I’ve become aware of. I’ve also realised some of these things could do with discussing, on the one hand before a real problem arises and on the other hand, to see UK fandom well-placed to move forward as next year’s Loncon 3 World SF Convention in London prompts a influx of new, enthusiastic people.

And yes, I am well aware that in some quarters, doing this is pretty much lighting a blue touchpaper and risking fireworks. It’s still worth doing. Because conventions are important to us all, readers, writers and fans of all aspects of the genre.

You can find my post on TheoretiCon 2023 here.

Author: Juliet

Juliet E McKenna is a British fantasy author living in the Cotswolds, UK. Loving history, myth and other worlds since she first learned to read, she has written fifteen epic fantasy novels so far. Her debut, The Thief’s Gamble, began The Tales of Einarinn in 1999, followed by The Aldabreshin Compass sequence, The Chronicles of the Lescari Revolution, and The Hadrumal Crisis trilogy. The Green Man’s Heir was her first modern fantasy inspired by British folklore in 2018, and The Green Man’s Quarry in 2023 is the sixth title in this ongoing series. Her 2023 novel The Cleaving is a female-centred retelling of the story of King Arthur, while her shorter stories include forays into dark fantasy, steampunk and science fiction. She promotes SF&Fantasy by reviewing, by blogging on book trade issues, attending conventions and teaching creative writing. She has served as a judge for major genre awards. As J M Alvey, she has written historical murder mysteries set in ancient Greece.

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