For the moment, this is the last of these stories, though as readers who’ve followed Dyal’s adventures will be well aware, this cannot be the end of his story. I know what happens next, and aim to find time to write that tale later this year.
At the moment, my Work diary is full! As of close of play yesterday, I’ve written 194231 words of original fiction since 2nd January this year, spread over one novel, completed in draft and with its editor, one novella ditto, and a second novel that’s due for delivery at the end of June and is currently about three quarters of the way to a finished draft.
I hope to take a few days off at the start of July, before I tackle the editor’s feedback on The Green Man’s Silence…
Dyal has learned secrets that the warlord’s family would prefer not to share. That means he must be drawn into the domain ruler’s inner circle, whether he likes it or not. What use can the young swordsman be? Now he finds himself trusted as a courier – and sent into fresh danger…
Revisiting your own work is a curious experience for a writer, in my experience at least. When you’re working on a book, from first outline to final page proofs, that’s pretty much all you think about. You have every detail at your fingertips. You know the story inside out. You’ve been living with these characters for however long the work’s been in progress. Then quite suddenly, that’s done, and you move on to the next thing. This new story may or may not involve the same characters, but regardless, it’s a new adventure full of fresh challenges for you as a writer. As it fills your thoughts, it’s surprising how quickly the fine detail of earlier books fades from your memory. You’ll recall the broad strokes, obviously, but not the line-by-line. By the time I was on the third, fourth and fifth book of The Tales of Einarinn, my reference copies of the earlier volumes bristled with Post-It tags so I could find descriptions and incidents I needed to refer back to. Thank goodness for electronic versions and search boxes these days.
I revisited The Aldabreshin Compass books in 2015, when I was proof-reading the text we’d prepared for the new digital editions from Wizard’s Tower Press. This was the first time I’d really engaged with these stories and characters since Eastern Tide was published in 2006. I’m pleased to say I thoroughly enjoyed the process. The books held up well for me as an author, and as a reader, I found the story really exciting! At a couple of points, I genuinely caught myself wondering what’s going to happen next?! I knew the situation, whatever it was, would be resolved, but I had honestly forgotten exactly how?
Perhaps it’s because I was engaging with these books at least as much as a reader this time around that I began to see other things. There’s a young soldier who falls off a battlement in the first book, Southern Fire. As the writer, I hadn’t given him a second thought, because my focus was on Daish Kheda, the warlord whose personal journey drives the narrative of this whole series. As a reader though, now I kept wondering what had happened to that young man who had disappeared into the darkness…?
As I read the following books, I found I had other questions. Kheda goes on his journey, but life at the home he has left goes on without him. Some of the consequences of this become apparent, as other people’s paths cross his own, but as a writer, my focus always stayed with his story. As a reader though, I found I wanted to know more of what had gone on without him. What lay behind the choices and decisions made by the people he had left behind…?
I am a writer first and foremost. That said, I’ve always found inspiration in the questions keen readers have asked me. Now that I was the curious reader, these questions just wouldn’t go away. Ideas stirred. In between other projects, I began writing a series of linked short stories that sit between the volumes of The Aldabreshin Compass. These can be read on their own, as well as offering added depth and insights for those who’ve read the Compass sequence.
So I started with that fateful night when Daish Kheda was so treacherously attacked, and his faithful retainers risked their lives to defend him. You can find the free ebook here, along with other free reading from Wizard’s Tower Press, and the ‘Colinthology’ which raises money to support Bristol hospitals.
When I was asked to offer a story* for this digital anthology, I immediately said yes. So did a whole lot of other writers, making this an outstanding collection of quality short fiction. All proceeds are being donated to support NHS staff and other healthcare workers.
So for £5.99 you get 53 stories, 253,000 words of fiction, including several pieces that are original to this volume, featuring some of the finest writers of science fiction, literary fiction, fantasy, horror, and more. Click here to buy it
Boost the signal! Spread the word! And raise a cheer for Ian Whates of Newcon Press, and those who helped him, for doing an amazing job so quickly.
* I opted for The Sphere, previously published in the 2016 ZNB anthology Alien Artifacts
Oh yes, says you, I remember it, Christopher Ecclestone and Simon Callow, great episode! Ah well, says I, it so happens I wrote a different story before anyone knew what Mark Gattiss was doing for the first season of the Doctor’s return.
Back in 2004, Paul Cornell was editing a Christmas anthology for Big Finish, and invited me to submit a story. I really enjoyed writing ‘Who the Dickens…?’, researching all the detail was fascinating, and Paul was very pleased with it. All was well until … the BBC spiked it. Sorry, that particular story was a no go for the forthcoming book.
Everyone was very nice, and thoroughly professional, and I was paid, and so while I felt a bit wistful, I didn’t feel in the least hard done by. These things happen with licensed property work. And when the new series aired, all was explained!
The story stayed in my computer archive because unlike a story of my own, I couldn’t sell it elsewhere, obviously. Then Paul contacted me earlier this year to ask if I’d ever done anything with it. No, as I explained, as far as I recalled without digging out the contract, the copyright and intellectual property rights belonged to Big Finish and the BBC, as is standard for such work. It would never see the light of day unless the powers that were gave their approval. Let me talk to a few people, says Paul…
As regular readers will know, I’m a great fan of ZNB’s anthologies, both as a writer who regularly contributes and also as a reader. The themes are always intriguing, drawing out entertaining stories, while the rigorous editing ensures a high standard indeed.
Add to that, ZNB always hold open submission slots for debut writers. They hold these stories to the same high standard and that means this is a publishing credit well worth having. So I invited Joshua Palmatier to share a few thoughts for the benefit of those looking to place a story with one of this year’s proposed publications.
Zombies Need Brains’ latest Kickstarter started up on August 7th and, with the possibility of an open call for submissions if we fund, I thought that I’d spend some time talking about how you can better your chances of getting from the ZNB slush pile into one of our anthologies. The competition is pretty steep and only getting worse with each Kickstarter. (Last year, PORTALS had 550 submissions alone and we ended up taking seven; we had a lot of anchor authors for that one, though.) I’ve talked before about how to brainstorm your way to an idea that isn’t standard, but also isn’t so far out there it’s off theme. So let’s suppose you already have an idea of what you want to write. A core concept.
As you can guess, that’s not enough. We get a ton of stories submitted where, when I’ve finished reading the story (and I usually read all of the stories all of the way through, just in case), I end up saying, “OK, that was a cool concept, but there isn’t a story here.” In essence, the author wrote out their idea, but they haven’t yet taken the time to develop a story around that idea. And that’s key. It’s extremely rare for ZNB to accept a submission based on idea alone. This is why we rarely accept stories less than 2500 words or flash fiction–it’s not that the writing isn’t good, it’s that it’s difficult to get across a completely developed story in that short a timespan. It’s possible (I think we’ve accepted one or two in our past anthologies), but it’s rare.
The biggest element missing from the “only an idea” story is a character arc. Don’t get me wrong, there’s usually a character in the story, but the character is only there in service to the idea. The story needs to be turned around. The idea should be in service to the character, causing the character to change in some way throughout the course of the story. That’s what’s typically missing in the stories that I read from the slush. I want to be drawn into the characters and change along with them. So the character needs to be interesting, sympathetic, and above all engaging.
After capturing my attention, you need to hold it, so the pace needs to be fast. Remember, this is a short story. Each word needs to matter, so keep things tight and focused. Don’t let yourself wander into subplots and secondary threads or secondary characters, as you would with a novel. Keep yourself on track with the main idea. You can always expand the story later on into something larger if you want, but for now, focus. If you’ve already written the story, then during revisions you need to look at the main idea and cut everything else out. Narrow the story down to whatever is needed for the idea and the character arc. Everything else must go. Tighten, tighten, tighten.
Along the way, make sure that the character arc you’ve developed actually relies on the story concept. They can’t be two separate threads that you just happen to have woven into one story. If you remove the cool idea from the story, does the character arc still hold up? If the answer is yes, then you haven’t really found the story behind that idea. The character arc should collapse when the cool idea is removed, making the story impossible. The character’s change during the course of the story should come about BECAUSE of the cool concept.
So, when thinking about submitting a story to ZNB’s slush pile, start with a cool concept. Build an engaging character arc around that concept. Mesh the two together. Tighten the prose. Let it sit for a few weeks, then go through and tighten it again. Because that’s what we’re looking for: a tight, focused story where a cool concept and interesting character arc merge into a stunning work. Now, take these words to heart, sit down, and write that story. Good luck!
This post is brought to you by the Zombies Need Brains Kickstarter currently going on at tinyurl.com/ZNBApocalypse. Swing on by and check out the details for the three new anthologies we’re hoping to fund, including APOCALYPTIC, GALACTIC STEW, and MY BATTERY IS LOW AND IT IS GETTING DARK. Pick a reward level that suits you and back our project! We can’t do an open call for submissions unless we get funded. And once we are funded, sit down and brainstorm a cool idea, write it up, and send it in!
JOSHUA PALMATIER is a fantasy author with a PhD in mathematics. He currently teaches at SUNY Oneonta in upstate New York, while writing in his “spare” time, editing anthologies, and running the anthology-producing small press Zombies Need Brains LLC. His most recent fantasy novel, Reaping the Aurora, concludes the fantasy series begun in Shattering the Ley and Threading the Needle, although you can also find his “Throne of Amenkor” series and the “Well of Sorrows” series still on the shelves. He is currently hard at work writing his next novel and designing the kickstarter for the next Zombies Need Brains anthology project. You can find out more at www.joshuapalmatier.com or at the small press’ site www.zombiesneedbrains.com. Or follow him on Twitter as @bentateauthor or @ZNBLLC.
The latest anthologies from ZNB are now out, and my story The Echoes of a Shot can be found in Alternate Peace. These tales of alternate history look at what might have happened if something dramatic didn’t happen; a war, an assassination, a battle that we know was pivotal in our timeline. My starting point was thinking about the way that warfare accelerates technological change. What could it mean for politics on both sides of the Atlantic, if progress in key areas never happened in the second decade of the 20th century? The 1930s could look very different…
I’m very pleased to say that I will have a story in this anthology coming soon from Newcon Press. This is going to be a particularly interesting collection of original stories blended with reprints from classic writers whose names you may or may not recognise. We’re all exploring the dark corners and shadows of life in London from the Victorian era onward. In my case, I’m looking at the harsh lives of peripatetic governesses, and an unexpected opportunity for one unjustly dismissed young woman.
My story also proves the old maxim that no writing is ever wasted. I wrote it for a different project entirely which never came together, alas, quite a few years ago now. Editor Ian Whates remembered seeing it back then, and he realised how well it would suit this particular collection. I’m delighted to see it in print in such fine company.
The full table of contents –
Introduction by Ian Whates
Hunger – Bryony Pearce
A Street – Arthur Morrison
A Maze for the Minotaur – Reggie Oliver
The Phantom Model (A Wapping Romance) – Hume Nisbet
The Ghost of Cock Lane – Rose Biggin
The Hand That Rocks The Cradle – Juliet E. McKenna
Watercress Girl – Henry Mayhew
Queen Rat – David Rix
Christopherson – George Gissing
From The Casebook of Master Wiggins, Esq. – Paul di Filippo
A brief post to share a few things. Firstly, I will be a guest of the Super Relaxed Fantasy Club on Tuesday 14th May, alongside Jen Williams and Stewart Hotson. We’ll be meeting upstairs at The Star of Kings (just north of King’s Cross) from 7pm. The event promises ‘a reading, some Q&A, a chat, a lemonade’, and the evening is open to all.
In writing news, The Green Man’s Foe is well on its way to a final text, with thanks to Editor Toby. The cover art is really coming together, thanks to Artist Ben. As soon as we have a definite publication date, and information on how to pre-order from Wizard’s Tower Press , I’ll post all the details.
Meantime, I’ll be posting weekly snippets as part of the Book Quote Wednesday hashtag #bookqw on Twitter and Facebook. It’s a fun bit of promo run by Mindy Klasky and taken up by an eclectic range of authors – if you do Twitter and/or Facebook. Obviously not everyone does, so I’ll cross-post here.
This week’s word is ‘friend’, so here’s a taste, just to whet your appetite…
‘Daniel, good to see you.’
‘Ben.’ I offered him my hand and we shook, by way of a greeting somewhere between friends and business acquaintances. ‘What brings you here?’
Benjamin Beauchene – pronounced ‘Beechen’ – is an architect who lives in London, even if Blithehurst Manor is his ancestral family home, and he has shares in the trust that now preserves the property for future generations. Not that the dryads were convinced that the humans who couldn’t see them could be trusted to look after their domain.
‘I’m looking for a favour,’ he said with a frank grin. ‘Shall we head up to the restaurant for a coffee?’ He gestured towards the repurposed stable buildings that stood at the top of the shallow slope by the main road.
I checked my watch. It wasn’t even nine in the morning. I wondered what this favour might be, to get him here so early.
In other news, we can now share the cover art for the anthology Alternate Peace, and Justin Adams of Varia Studios is the artist. This is coming soon from ZNB, and my story’s set in 1939, twenty-five years after a very different outcome to a tragedy in Sarajevo…
In short fiction, I contributed to Second Round: A Return to the Ur-Bar, from ZNB LLC. I had great fun writing ‘Wanderlust’, which is one of my occasional forays into SF territory, as it’s set on Mars a few hundred years from now.
Most recently, I wrote ‘The Unforeseen Path’, for The Scent of Tears (Tales of the Apt), published by Newcon Press, and the fourth in their novella series continuing Adrian Tchaikovsky’s stories set in the realms of the Apt. I was very honoured to be invited to write a short story set in this fascinating world of his creation, and decided to look more closely at the Ant-kinden. Telepathy in SF&F has always fascinated me, as it’s very much a two-edged sword, especially when Wasp-kinden attack…