I’m doing a lot of background reading, world-building and story-plotting at the moment, as well as the admin and other stuff associated with getting the next ebook out. Then there’s all the domestic administrivia which is mostly down to me at present since Husband’s currently working 12-14 hour days, six days a week, on a demanding new project for a prestigious new client. So me finding time for reflective and interesting blog posts isn’t really happening.
Fortunately there are all sorts of interesting things crossing my radar online.
On the history front – “Vatican library digitises 1,600-year-old edition of Virgil”
The 1,600-year-old document is one of more than 80,000 manuscripts, running to 41m pages, in the library, which was founded in 1451 by Pope Nicholas V.
A major project to digitise all 80,000 documents will ensure that scholars have less need to consult the originals, and also make the texts available to the general public.
“Our library is an important storehouse of the global culture of humankind,” said Cesare Pasini, prefect of the library. “We are delighted the process of digital archiving will make these wonderful ancient manuscripts more widely available to the world and thereby strengthen the deep spirit of humankind’s shared universal heritage.”
On the equality in SFF front – “Eisner Nominee Renae De Liz Shares Short Guide for Artists on How to De-Objectify Female Characters”
Renae De Liz, the Eisner-nominated artist and writer behind such series as The Legend of Wonder Woman, The Last Unicorn and Lady Powerpunch, shared her thoughts on how to draw women without objectifying and oversexualizing them. In her impromptu guide, she tries to dispel many assumptions people have when they set out to draw women because of deep-set trends in comics.
And I found this prompted me to consider the assumptions people make about writing women because of deep-set trends in SF&F
On the technology front – “Slow-motion replays can distort criminal responsibility”
“Researchers found that slowing down footage of violent acts caused viewers to see greater intent to harm than when viewed at normal speed.
Viewing a killing only in slow motion made a jury three times more likely to convict of first degree murder.”
As a lifelong crime and mystery fan, in books and TV/film, I found this very interesting. I’m also thinking about the ways in which perceived technological progress can turn out to be not so helpful after all. When I get round to a longer blogpost, that’s something I want to discuss.
On the SF conventions front – no, I’m not going to discuss the debacle of this year’s World Fantasy Convention programme. For those of you coming late to this story, this particular convention has a long-established lousy record for offering interesting or up-to-date panels and this year’s offering might just as well come with an introductory, explanatory note saying “Yes, we hear you explain how everybody gains from diverse and inclusive programming. WE JUST DON’T CARE”
So how about trying one of the many conventions that offer a packed programme of fascinating discussions between people with plenty of relevant things to say?
Fantasycon by the Sea 23rd- 25th September in Scarborough – guests of honour Mike Carey, Elizabeth Bear, Frances Hardinge, Scott Lynch, Adam Nevill and James Smythe>
Bristolcon – 29th October – guests of honour Fangorn, Ken MacLeod and Sarah Pinborough.